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Spectacle and Trumpism : an embodied assemblage approach /
This book advances new perspectives for critical thought by exploring the links between consumer culture and the post-truth politics of Trumpism, and how Trump embodies the frightening potential of capitalism to intersect with and enable fascistic forms of power.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bristol :
Bristol University Press,
2021.
|
| Colección: | Bristol shorts research.
|
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Front Cover
- Spectacle and Trumpism: An Embodied Assemblage Approach
- Copyright information
- Dedication
- Dedication
- Table of contents
- Notes on the Author
- Acknowledgments
- Introduction
- What is spectacle?
- Reconstructing the spectacle
- Spectacle as embodied assemblage
- Trumpism as fascist war machine
- Plan of the book
- One The Affects of Celebrity Brand
- Lines of celebrity, lines of flight
- Sowing, feeling and performing the spectacle
- Reality-television presidency
- Conclusion
- Two (Head)phoning It In
- A gathering tweet storm
- Weathering the storm
- Violent assemblages
- Conclusion
- Three Architectures of Wonder and Dismay
- Arcade 1
- Arcade 2
- Arcade 3
- Arcade 4
- Conclusion: arcades, dead or alive?
- Conclusion
- 1 Spectacle is embodied and intense, not passive and hollow
- 2 Donald Trump is as much a product of the spectacle as one of its masters
- 3 Donald Trump uses spectacle politically, but as one of capitalism's lines of flight he also threatens the state
- 4 The spectacle develops both interior and exterior linkages among consumer subjectivity and its broader environments
- References
- Index
- Back Cover