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Soundtrack to a movement : African American Islam, jazz, and black internationalism /

"This book explores the historical connections among jazz, African American Islam, and black internationalism from the 1940s to the 1970s. It shows that in the post-World War II era through the 1970s, the social justice values that Islam and jazz shared were key to the growth of African America...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Turner, Richard Brent (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : New York University Press, [2021]
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Turner, Richard Brent,  |e author. 
245 1 0 |a Soundtrack to a movement :  |b African American Islam, jazz, and black internationalism /  |c Richard Brent Turner. 
264 1 |a New York :  |b New York University Press,  |c [2021] 
264 4 |c ©2021 
300 |a 1 online resource (247 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
505 0 |a Introduction: Jazz brothers in rhythm and spirit -- Islamic and Christian influences in jazz : Boston and New York during World War II -- "Turn to Allah, pray to the East" : Bebop and the Nation of Islam's mission to blacks in prison -- The faith of Universal Brotherhood : The Ahmadiyya Muslim community's popularity among Bebop musicians -- Hard bop, free jazz, and Islam : black liberation and global religious and musical consciousness in the late 1950s and 1960s -- Conclusion: Last days and times : Islam and jazz in the post-Coltrane era. 
520 |a "This book explores the historical connections among jazz, African American Islam, and black internationalism from the 1940s to the 1970s. It shows that in the post-World War II era through the 1970s, the social justice values that Islam and jazz shared were key to the growth of African American Islamic communities in Boston, New York, and Philadelphia. This book argues that it was jazz musicians who led the way in shaping encounters with Islam as they developed a black-Atlantic cool that shaped both black religion, jazz styles, and black masculinity and femininity during the Cold War and continuing up to the Civil Rights and Black Power Movements in the 1960s"--  |c Provided by publisher 
588 0 |a Online resource; title from digital title page (viewed on April 14, 2021). 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
590 |a JSTOR  |b Books at JSTOR All Purchased 
650 0 |a Jazz  |x Social aspects  |z United States  |x History  |y 20th century. 
650 0 |a Jazz  |x Religious aspects  |x Islam  |x History  |y 20th century. 
650 0 |a African American Muslims. 
650 0 |a African Americans  |x Religion. 
650 0 |a Internationalism  |x History  |y 20th century. 
650 6 |a Musulmans noirs américains. 
650 6 |a Noirs américains  |x Religion. 
650 6 |a Internationalisme  |x Histoire  |y 20e siècle. 
650 7 |a RELIGION  |x Islam  |x History.  |2 bisacsh 
650 7 |a African American Muslims  |2 fast 
650 7 |a African Americans  |x Religion  |2 fast 
650 7 |a Internationalism  |2 fast 
650 7 |a Jazz  |x Social aspects  |2 fast 
651 7 |a United States  |2 fast 
648 7 |a 1900-1999  |2 fast 
655 0 |a Electronic books. 
655 7 |a History  |2 fast 
776 0 8 |i Print version:  |a Turner, Richard Brent.  |t Soundtrack to a movement.  |d New York : New York University Press, [2021]  |z 9781479871032  |w (DLC) 2020034473 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv27ftvfh  |z Texto completo 
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938 |a EBSCOhost  |b EBSC  |n 2654412 
938 |a Oxford University Press USA  |b OUPR  |n EDZ0002656004 
938 |a Askews and Holts Library Services  |b ASKH  |n AH38511118 
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