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Post-specimen encounters between art, science and curating : rethinking art practice and objecthood through scientific collections /
Examines how scientific objects in museums and other collections act as inspiration to contemporary art practice, its histories, curating and aesthetics. Cross-disciplinary essays from leading arts professionals explore how scientific encounters in museums provoke new modes of creative thinking abou...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bristol, UK :
Intellect,
2020.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Post-specimen encounters between art, science and curating : |b rethinking art practice and objecthood through scientific collections / |c edited by Edward Juler & Alistair Robinson. |
| 264 | 1 | |a Bristol, UK : |b Intellect, |c 2020. | |
| 300 | |a 1 online resource : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed October 20, 2020). | |
| 505 | 0 | |a Cover -- Half Title -- Title Page -- Copyright Page -- Contents -- Acknowledgements -- Introduction -- Notes -- References -- 1 Narratives of the 'Fetish' -- Acknowledgements -- Notes -- References -- 2 Curating Interobjectively in Museums -- 'A Scientific Encounter': Envisaging the Myth of the Museum -- The Museum's Omniscience -- Presenting Objects in the Academy: The Poetics of Academic Space -- Towards an Interobjective Curatorial Practice: Exercises in Diplomacy -- The Collection as Collectivity-'How to Redefine the Collectives?' -- Three Scenes from an Exhibition | |
| 505 | 8 | |a Object Encounter #1: Kelly Richardson and Annibale Carracci -- Object Encounter #2: Murray Ballard and Anon. -- Object Encounter #3: Daniel Brown and Jan Breughel -- Notes -- 3 'A Readiness to Find What Surrounds Us Strange and Odd': Objects in the Alternative Curiosity Museum -- Museums: Laboratories of the Marvellous? -- Cabinets of Curiosities: 'Boudoirs Earmarked for Experts'? -- Museum of Jurassic Technology: A Detective Challenge -- Museum der Unerhörten Dinge: 'A Literary Wunderkammer' -- Wonder in the Face of Abundance or Wonder in the Face of Rarity? | |
| 505 | 8 | |a The Alternative Curiosity Museum as 'Wild Museum' -- Musée de la Chasse et de la Nature: Wonder and Critical Awareness -- Château d'Oiron: Curiosity and Multisensory Engagement -- Curiosity as a Way of Seeing, Thinking and Caring -- Notes -- References -- 4 Art, Science and the Mutant Object -- The Live Specimen -- Mutant Objects -- Neither Animal, Nor Vegetable Nor Mineral -- Notes -- References -- 5 Blind Summit/Models of Subjectivity: Surrealism, Physics and Psychoanalysis -- Notes -- References -- 6 Glimpsed Phantoms of Sensation | |
| 505 | 8 | |a Or, a Psychogeographical Investigation of Various Anatomical Specimens with Reference to Christine Borland's Cet être-là, c'est à toi de le créer! -- Notes -- References -- 7 ... as far back as I will remember -- Jardin des Plantes, Montpellier, South of France -- Call Me by My Name -- From Alexandria to Carthage -- Life's Rich Pageant -- Better Living through Chemistry -- Pansexuality -- I, post-specimen -- I, superspecies -- Living in the Homogecene -- Acknowledgements -- Notes -- References -- 8 Poetry and the Pathology Museum: A Model of Difference -- Notes -- References | |
| 505 | 8 | |a 9 The Scientist and the Magician -- Introduction -- A Compendium of Vignettes, or, Imagining-and Imaging-'Energy' -- Deus ex machina: From the Magic Lantern to the Layden Jar -- #1: A First Experiment-Imagining Electricity -- Reflecting upon the Presence of Magic in Artwork, and Artistry of Magic and Science: Some Inconclusive Conclusions -- Notes -- References -- 10 Choosing, Unpicking and Connecting: On Drawing Museum Objects -- Choosing -- Unpicking -- Connecting -- Notes -- References | |
| 520 | |a Examines how scientific objects in museums and other collections act as inspiration to contemporary art practice, its histories, curating and aesthetics. Cross-disciplinary essays from leading arts professionals explore how scientific encounters in museums provoke new modes of creative thinking about art, science and curating. 84 col. illus. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Art and science. | |
| 650 | 0 | |a Art museums. | |
| 650 | 0 | |a Museum techniques. | |
| 650 | 6 | |a Art et sciences. | |
| 650 | 6 | |a Muséologie. | |
| 650 | 7 | |a museology. |2 aat | |
| 650 | 7 | |a ART / History / General |2 bisacsh | |
| 650 | 7 | |a Art and science |2 fast | |
| 650 | 7 | |a Art museums |2 fast | |
| 650 | 7 | |a Museum techniques |2 fast | |
| 700 | 1 | |a Juler, Edward, |e editor. | |
| 700 | 1 | |a Robinson, Alistair, |e editor. | |
| 776 | 0 | 8 | |i Print version: |z 9781789383119 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv36xw5vq |z Texto completo |
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| 938 | |a ProQuest Ebook Central |b EBLB |n EBL6369051 | ||
| 938 | |a EBSCOhost |b EBSC |n 2647709 | ||
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| 994 | |a 92 |b IZTAP | ||