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The rood in medieval Britain and Ireland, c.800-c.1500 /
The rood was central to medieval Christianity and its visual culture: Christ's death on the cross was understood as the means by which humankind was able to gain salvation, and depictions of the cross, and Christ's death upon it, were ubiquitous.0This volume brings together contributions o...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Woodbridge :
The Boydell Press,
2020.
|
| Colección: | Boydell studies in medieval art and architecture.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 4 | |a The rood in medieval Britain and Ireland, c.800-c.1500 / |c edited by Philippa Turner and Jane Hawkes. |
| 264 | 1 | |a Woodbridge : |b The Boydell Press, |c 2020. | |
| 300 | |a 1 online resource (264 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Boydell studies in Medieval art and architecture, |x 2045-4902 | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | 8 | |a The rood was central to medieval Christianity and its visual culture: Christ's death on the cross was understood as the means by which humankind was able to gain salvation, and depictions of the cross, and Christ's death upon it, were ubiquitous.0This volume brings together contributions offering a new perspective on the medieval rood - understood in its widest sense, as any kind of cross - within the context of Britain and Ireland, over a wide period of time which saw significant political and cultural change. In doing so, it crosses geographical, chronological, material, and functional boundaries which have traditionally characterised many previous discussions of the medieval rood. Acknowledging and exploring the capacity of the rood to be both universal and specific to particular locations and audiences, these contributions also tease out the ways in which roods related to one another, as well as how they related to their physical and cultural surroundings, often functioning in dialogue with other images and the wider devotional topography - both material and mental - in which they were set.0The chapters consider roods in a variety of media and contexts: the monumental stone crosses of early medieval England, twelfth-century Ireland, and, spreading further afield, late medieval Galicia; the three-dimensional monumental wooden roods in English monasteries, Irish friaries, and East Anglian parish churches; roods that fit in the palm of a hand, encased in precious metals, those that were painted on walls, drawn on the pages of manuscripts, and those that appeared in visions, dreams, and gesture.0Contributors: Sarah Cassell, Sara Carreno, Jane Hawkes, Malgorzata Krasnodebska-D'Aughton, John Munns, Kate Thomas, Philippa Turner, Maggie Williams, Lucy J. Wrapson, | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Introduction: Rethinking the Rood -- Philippa Turner; Approaching the Cross: The Sculpted High Crosses of Anglo-Saxon England -- Jane Hawkes; The Mark of Christ in Wood, Grass and Field: Open-Air Roods in Old English Medical Remedies -- Kate Thomas; Twelfth-Century English Rood Visions: Some Iconographic Notes -- John Munns; Crosses, Croziers, and the Crucifixion: Twelfth-Century Crosses in Ireland -- Maggie Williams; From Religious Artefacts to Symbols of Identity: The Role of Stone Crosses in Galician National Discourse -- Sara Carreño; The Rood in the Late Medieval English Cathedral: The Black Rood of Scotland Reassessed -- Philippa Turner; The Cross of Death and the Tree of Life: Franciscan Ideologies in Late Medieval Ireland -- Malgorzata Krasnodebska-D'Aughton; Heralding the Rood: Colour Convention and Material Hierarchies on Late Medieval English -- Lucy Wrapson; Reframing the Rood: Fifteenth-Century Angel Roofs and the Rood in East Anglia -- Sarah Cassell | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 650 | 0 | |a Crosses |z Great Britain |x History. | |
| 650 | 0 | |a Crosses |z Ireland |x History. | |
| 650 | 0 | |a Crosses in art. | |
| 650 | 0 | |a Christian art and symbolism |y Medieval, 500-1500. | |
| 650 | 0 | |a Church architecture |z Great Britain. | |
| 650 | 0 | |a Church architecture |z Ireland. | |
| 650 | 6 | |a Architecture chrétienne |z Grande-Bretagne. | |
| 650 | 6 | |a Architecture chrétienne |z Irlande. | |
| 650 | 7 | |a History of religion. |2 bicssc | |
| 650 | 7 | |a History of art: Byzantine & Medieval art c 500 CE to c 1400. |2 bicssc | |
| 650 | 7 | |a ART |x Subjects & Themes |x Religious. |2 bisacsh | |
| 650 | 7 | |a Christian art and symbolism |x Medieval |2 fast | |
| 650 | 7 | |a Church architecture |2 fast | |
| 650 | 7 | |a Crosses |2 fast | |
| 650 | 7 | |a Crosses in art |2 fast | |
| 651 | 7 | |a Great Britain |2 fast | |
| 651 | 7 | |a Ireland |2 fast | |
| 648 | 7 | |a 500-1500 |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 700 | 1 | |a Turner, Philippa, |e editor. | |
| 700 | 1 | |a Hawkes, Jane |c (Medievalist), |e editor. | |
| 776 | 0 | 8 | |i Print version: |a Turner, Philippa. |t Rood in Medieval Britain and Ireland, c.800-c.1500. |d Woodbridge : Boydell & Brewer Ltd. 2020 |z 9781783275526 |w (OCoLC)1164344037 |
| 830 | 0 | |a Boydell studies in medieval art and architecture. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv105bbkr |z Texto completo |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH39074871 | ||
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| 994 | |a 92 |b IZTAP | ||