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Didi-Huberman and the image /
This is the first English-language study of the legendary French art historian Georges Didi-Huberman. With clear discussions of Didi-Huberman's ideas and arguments, this book offers an excellent introduction to one of the most influential critical thinkers writing today.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
[Manchester] :
Manchester University Press,
[2020]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Larsson, Chari, |e author. | |
| 245 | 1 | 0 | |a Didi-Huberman and the image / |c Chari Larsson |
| 264 | 1 | |a [Manchester] : |b Manchester University Press, |c [2020] | |
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| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed October 22, 2020). | |
| 520 | |a This is the first English-language study of the legendary French art historian Georges Didi-Huberman. With clear discussions of Didi-Huberman's ideas and arguments, this book offers an excellent introduction to one of the most influential critical thinkers writing today. | ||
| 505 | 0 | |a Intro -- Front matter -- Cover -- Half-title -- Title Page -- Copyright -- Table of Contents -- List of Figures -- Acknowledgements -- Introduction -- Representation and its discontents -- Notes -- The archaeological art historian -- Archaeological critique: mimesis as 'totem-notion' -- An aesthetics of the symptom -- Hysterical looking: Freud and Charcot -- Notes -- The materiality of images -- Fra Angelico -- Dissemblance and presence -- Notes -- Timely anachronisms -- Rethinking temporality -- Walter Benjamin -- Aby Warburg -- Montage -- Notes -- The empreinte -- Simon.Hantaï | |
| 505 | 8 | |a Empreinte as trace, trace as empreinte -- Against.Vasari -- On the liminal status.of.wax -- The index as vestige -- Notes -- Making monsters -- Son of.Saul -- Notes -- Thinking.images -- Montage as an epistemological.tool -- Notes -- Conclusion -- Notes -- Bibliography -- Index | |
| 504 | |a Includes bibliographical references and index. | ||
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