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Defining Russia musically : historical and hermeneutical essays /
The world-renowned musicologist Richard Taruskin has devoted much of his career to helping listeners appreciate Russian and Soviet music in new and sometimes controversial ways. Defining Russia Musically represents one of his landmark achievements: here Taruskin uses music, together with history and...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Princeton, N.J. :
Princeton University Press,
2000.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Taruskin, Richard, |e author. | |
| 245 | 1 | 0 | |a Defining Russia musically : |b historical and hermeneutical essays / |c Richard Taruskin. |
| 264 | 1 | |a Princeton, N.J. : |b Princeton University Press, |c 2000. | |
| 264 | 4 | |c ©1997 | |
| 300 | |a 1 online resource (xxxii, 561 pages) : |b illustrations, music | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Part I. Defining Russia musically (seven mini-essays): [ch.] 1. N.A. Lvov and the folk; [ch.] 2. M.I. Glinka and the state; [ch.] 3. P.I. Chaikovsky and the ghetto; [ch.] 4. Who am I? (and who are you?); [ch.] 5. Safe harbors; [ch.] 6. After everything; [ch.] 7. Objectives -- Part II. Self and other: [ch.] 8. How to acorn the root; [ch.] 9. "Entoiling the falconet"; [ch.] 10. Ital'yanshchina -- Part III. Hermeneutics of Russian music : four cruxes: [ch.] 11. Chaikovsky and the human: a centennial essay; [ch.] 12. Scriabin and the superhuman: a millennial essay; [ch.] 13. Stravinsky and the subhuman; [ch.] 14. Shostakovitch and the inhuman. | |
| 520 | |a The world-renowned musicologist Richard Taruskin has devoted much of his career to helping listeners appreciate Russian and Soviet music in new and sometimes controversial ways. Defining Russia Musically represents one of his landmark achievements: here Taruskin uses music, together with history and politics, to illustrate the many ways in which Russian national identity has been constructed, both from within Russia and from the Western perspective. He contends that it is through music that the powerful myth of Russia's "national character" can best be understood. Russian art music, like Russia itself, Taruskin writes, has "always [been] tinged or tainted ... with an air of alterity--sensed, exploited, bemoaned, reveled in, traded on, and defended against both from within and from without." The author's goal is to explore this assumption of otherness in an all-encompassing work that re-creates the cultural contexts of the folksong anthologies of the 1700s, the operas, symphonies, and ballets of the 1800s, the modernist masterpieces of the 1900s, and the hugely fraught but ambiguous products of the Soviet period. --Publisher description | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Music |z Russia |x History and criticism. | |
| 650 | 7 | |a MUSIC |x History & Criticism. |2 bisacsh | |
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| 651 | 7 | |a Russia. |2 fast |0 (OCoLC)fst01207312 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |a Taruskin, Richard. |t Defining Russia musically. |d Princeton, N.J. : Princeton University Press, 2000 |z 0691070652 |w (DLC) 96041182 |w (OCoLC)51313436 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv15r5dmx |z Texto completo |
| 880 | |6 500-00/(2/r |a נושא ישן: Music - Russia - history and criticism | ||
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