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|a 9781469660578
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|a UAMI
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|a Monod, David,
|d 1960-
|e author.
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|a Vaudeville and the making of modern entertainment, 1890-1925 /
|c David Monod.
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|a Chapel Hill :
|b University of North Carolina Press,
|c 2020.
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|a Baltimore, Md. :
|b Project MUSE,
|c 0000
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|c ©2020
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|a 1 online resource (xiii, 269 pages) :
|b illustrations
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|a text
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|a online resource
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|m Gender group:
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|a Men
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|a Canadians
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|a Includes bibliographical references and index.
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|a Acknowledgments -- Introduction -- One. The vogue for vaudeville: urbanity, comfort, and celebrity -- Two. Ragging style: presenting the modern American -- Three. Grabbing attention: making good with the distracted audience -- Four. Vaudeville modernism -- Five. The business of mass entertainment -- Six. The hook: vaudeville makes its exit -- Notes -- Index.
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|a Today, vaudeville is imagined as a parade of slapstick comedians, blackface shouters, coyly revealed knees, and second-rate acrobats. But vaudeville was also America's most popular commercial amusement from the mid-1890s to the First World War; at it's peak, 5 million Americans attended vaudeville shows every week. Telling the story of this pioneering art form's rise and decline, David Monod looks through the apparent carnival of vaudeville performance and asks: what made the theater so popular and transformative? Although he acknowledges its quirkiness, Monod makes the case that vaudeville became so popular because it offered audiences a guide to a modern urban lifestyle. Vaudeville acts celebrated sharp city styles and denigrated old-fashioned habits, showcased new music and dance moves, and promulgated a deeply influential vernacular modernism. The variety show's off-the-rack trendiness perfectly suited an era when goods and services were becoming more affordable and the mass market promised to democratize style, offering a clear vision of how the quintessential twentieth-century citizen should look, talk, move, feel, and act.
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|a Print version record; online resource viewed February 25, 2021.
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a Popular culture
|z United States
|x History
|y 20th century.
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|a Vaudeville
|z United States
|x History
|y 19th century.
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|a Vaudeville
|z United States
|x History
|y 20th century.
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|a Culture populaire
|z États-Unis
|x Histoire
|y 20e siècle.
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|a HISTORY
|z United States
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|2 bisacsh
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|a Popular culture
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|a Vaudeville
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|a United States
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|a Vaudeville
|z United States
|x History
|y 20th century.
|2 nli
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|a Vaudeville
|z United States
|x History
|y 19th century.
|2 nli
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|a Popular culture
|z United States
|x History
|y 20th century.
|2 nli
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|a 1800-1999
|2 fast
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|a Electronic books.
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|a History
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|i Print version:
|a Monod, David, 1960-
|t Vaudeville and the making of modern entertainment, 1890-1925.
|d Chapel Hill : University of North Carolina Press, 2020
|w (DLC) 2020015418
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856 |
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|u https://jstor.uam.elogim.com/stable/10.5149/9781469660578_monod
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