|
|
|
|
LEADER |
00000cam a2200000Ma 4500 |
001 |
JSTOR_on1197835761 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr |||||||nn|n |
008 |
200331s2020 ncu o 000 0 eng d |
010 |
|
|
|z 2020011784
|
040 |
|
|
|a P@U
|b eng
|c P@U
|d YDX
|d EBLCP
|d OCLCO
|d N$T
|d JSTOR
|d UKAHL
|d K6U
|d OCLCO
|d BIBBD
|d OCLCQ
|d SFB
|d TEFOD
|d OCLCO
|
020 |
|
|
|a 1469659379
|
020 |
|
|
|a 9781469659374
|q (electronic bk.)
|
020 |
|
|
|z 9781469659350
|
029 |
1 |
|
|a AU@
|b 000068137359
|
035 |
|
|
|a (OCoLC)1197835761
|
037 |
|
|
|a 22573/ctv10328br
|b JSTOR
|
037 |
|
|
|a 7FF4DD7A-08EB-4BAA-B8F8-56E0CDE33A7D
|b OverDrive, Inc.
|n http://www.overdrive.com
|
043 |
|
|
|a n-us-nc
|
050 |
0 |
4 |
|a ML3477.7.N85
|b M45 2020
|
072 |
|
7 |
|a MUS
|x 020000
|2 bisacsh
|
072 |
|
7 |
|a HIS
|x 036010
|2 bisacsh
|
072 |
|
7 |
|a MUS
|x 015000
|2 bisacsh
|
072 |
|
7 |
|a SOC
|x 022000
|2 bisacsh
|
082 |
0 |
4 |
|a 781.6409/756
|2 23
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Menconi, David,
|e author.
|
245 |
1 |
0 |
|a Step It Up and Go
|b The Story of North Carolina Popular Music, from Blind Boy Fuller and Doc Watson to Nina Simone and Superchunk /
|c David Menconi.
|
264 |
|
1 |
|a Chapel Hill :
|b University of North Carolina Press,
|c 2020.
|
264 |
|
3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 0000
|
264 |
|
4 |
|c 2020.
|
300 |
|
|
|a 1 online resource (pages cm)
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
504 |
|
|
|a Includes bibliographical references and index.
|
520 |
|
|
|a "This book is a love letter to North Carolina's popular music in all its many-splendored glory, from bluegrass, folk, and country to R&B, rock, and pop. Though the state's diverse music scenes have often operated in the shadows of better-known hubs for popular genres-New York, Los Angeles, Detroit, Nashville, Austin, and Athens, Georgia-David Menconi shows North Carolina's influence on American popular music runs deep. He uses profiles of artists and their role in creating or shaping genres to reveal the richness of the state's musical landscape, with an arc that runs from the origin of recorded music in the state to the digital age"--
|c Provided by publisher.
|
588 |
|
|
|a Description based on print version record.
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
650 |
|
0 |
|a Musicians
|z North Carolina.
|
650 |
|
0 |
|a Popular music
|z North Carolina
|x History and criticism.
|
650 |
|
6 |
|a Musiciens
|z Caroline du Nord.
|
650 |
|
6 |
|a Musique populaire
|z Caroline du Nord
|x Histoire et critique.
|
650 |
|
7 |
|a MUSIC / History & Criticism
|2 bisacsh
|
650 |
|
7 |
|a Musicians
|2 fast
|
650 |
|
7 |
|a Popular music
|2 fast
|
651 |
|
7 |
|a North Carolina
|2 fast
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|
710 |
2 |
|
|a Project Muse.
|e distributor.
|
830 |
|
0 |
|a Book collections on Project MUSE.
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.5149/9781469659374_menconi
|z Texto completo
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 20508487
|
938 |
|
|
|a BiblioBoard
|b BIBD
|n 148fadb9-781e-42fb-978f-54c2432399a9
|
938 |
|
|
|a Askews and Holts Library Services
|b ASKH
|n AH37712637
|
938 |
|
|
|a ProQuest Ebook Central
|b EBLB
|n EBL6355160
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 301556907
|
938 |
|
|
|a Project MUSE
|b MUSE
|n muse84525
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 2432688
|
994 |
|
|
|a 92
|b IZTAP
|