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The French art novel 1900-1930 /
The French art novel, with its tales of artists, models and creative struggles, is often thought to be a specifically nineteenth-century phenomenon, which dies out by 1900. This wide-ranging, interdisciplinary study argues that the art novel does not in fact disappear but rather undergoes a series o...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London :
Legenda / Modern Humanities Research Association,
2016.
|
| Colección: | Research monographs in French studies ;
43. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Shingler, Katherine. | |
| 245 | 1 | 4 | |a The French art novel 1900-1930 / |c Katherine Shingler. |
| 264 | 1 | |a London : |b Legenda / Modern Humanities Research Association, |c 2016. | |
| 300 | |a 1 online resource (166 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a Research monographs in French studies ; |v 43 | |
| 504 | |a Includes bibliographical references (pages 141-150) and index. | ||
| 520 | |a The French art novel, with its tales of artists, models and creative struggles, is often thought to be a specifically nineteenth-century phenomenon, which dies out by 1900. This wide-ranging, interdisciplinary study argues that the art novel does not in fact disappear but rather undergoes a series of transformations in the early twentieth century, in step with radical changes in the visual arts of the period. Examining both well-known and all-but-forgotten novels, Shingler examines the ways in which they move on from their nineteenth-century predecessors, as the development of avant-garde movements makes questions of aesthetic value and authenticity ever more pressing; as changing gender roles increasingly put pressure on writers to acknowledge female creativity; and as the emergent art of the cinema comes to compete with painting as the primary visual reference point for writers. | ||
| 505 | 0 | |a Introduction : art, authenticity, and the novel -- Art and connoisseurship in Bourget and Proust -- Portraits of the artist in Mauclair and Georges-Michel -- Art, writing and modernity in Apollinaire and Cendrars -- Surrealism and visual culture -- Conclusion : fiction and criticism. | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 630 | 0 | 0 | |a Transformations |v Art. |
| 630 | 0 | 7 | |a Transformations |2 fast |
| 650 | 0 | |a French fiction |y 20th century |x History and criticism. | |
| 650 | 0 | |a Art in literature. | |
| 650 | 6 | |a Roman français |y 20e siècle |x Histoire et critique. | |
| 650 | 6 | |a Art dans la littérature. | |
| 650 | 7 | |a LITERARY CRITICISM |x European |x French. |2 bisacsh | |
| 650 | 7 | |a Art in literature |2 fast | |
| 650 | 7 | |a French fiction |2 fast | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a Art |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Shingler, Katherine. |t French art novel 1900-1930. |d London : Legenda / Modern Humanities Research Association, 2016 |z 9781909662230 |w (DLC) 2017296529 |w (OCoLC)973733329 |
| 830 | 0 | |a Research monographs in French studies ; |v 43. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv16km151 |z Texto completo |
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