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|a 1238818894
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|a 791.43/0964
|2 23
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|a UAMI
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|a Higbee, Will.
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|a Moroccan Cinema Uncut:
|b Decentred Voices, Transnational Perspectives /
|c Will Higbee, Florence Martin, Jamal Bahmad
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260 |
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|a Edinburgh :
|b Edinburgh University Press,
|c 2020.
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|a 1 online resource (x, 278 pages)
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|a text
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|a online resource
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|a This is the first book length study to consider the transnational dimension of Moroccan cinema. Over the past two decades, cinematic production has increased dramatically in Morocco, with Moroccan films leading at the domestic box office and being selected for prestigious international festivals such as Cannes and Berlin. And yet, Moroccan cinema remains little known outside of its national borders. This book asks why this might be and, in so doing, analyses the actual state of Moroccan national cinema beyond a post-colonial optic. Featuring interviews with filmmakers and key industry figures, such as Hicham Laari, Nadir Boumouch and Tala Hadid, the book explores Moroccan cinema's transnational reach through a focus on the cultural politics of international co-production, the role of international festivals as alternative distribution networks, piracy and digital disruption, film education and activism.
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|a Intro -- List of Figures and Tables -- Acknowledgements -- Introduction: Moroccan Cinema: A Story of Transnational Adaptation -- PART ONE PRODUCTION FROM ABOVE: FORMAL NETWORKS -- 1. Established Sites of Production at Home -- 2. Transnational Crossings -- PART TWO PRODUCTION FROM BELOW: EMERGING SITES -- 3. Alternative and Emerging Networks -- 4. Diverse Voices -- PART THREE DISTRIBUTION NETWORKS: FESTIVALS, AUDIENCES AND MARKETS -- 5. Distribution and Exhibition Networks in Morocco -- 6. International Festivals: An Alternative Transnational Distribution Network for Moroccan Cinema?
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|a 7. Sales, Distribution and Digital Disruption: The Unrealised Transnational Reach of Moroccan Cinema? -- Conclusion: Transnational Moroccan Cinema: Of Bumblebees and Butterflies -- Bibliography -- Select Filmography -- Index
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|a Legal Deposit;
|c Only available on premises controlled by the deposit library and to one user at any one time;
|e The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
|5 WlAbNL
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|a Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.
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650 |
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|a Motion pictures
|z Morocco
|x History
|y 21st century.
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650 |
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|a Transnationalism in motion pictures.
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650 |
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6 |
|a Cinéma
|z Maroc
|x Histoire
|y 21e siècle.
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650 |
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6 |
|a Transnationalisme au cinéma.
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650 |
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|a PERFORMING ARTS / Film & Video / Direction & Production
|2 bisacsh
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650 |
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7 |
|a Motion pictures.
|2 fast
|0 (OCoLC)fst01027285
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650 |
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7 |
|a Transnationalism in motion pictures.
|2 fast
|0 (OCoLC)fst01930618
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|a Morocco.
|2 fast
|0 (OCoLC)fst01205592
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648 |
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7 |
|a 2000-2099
|2 fast
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655 |
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|a History.
|2 fast
|0 (OCoLC)fst01411628
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700 |
1 |
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|a Martin, Florence
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700 |
1 |
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|a Bahmad, Jamal
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776 |
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|i Print version:
|z 1474477933
|z 9781474477932
|w (OCoLC)1162989558
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|u https://jstor.uam.elogim.com/stable/10.3366/j.ctv177th46
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