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|a Rhythm and critique :
|b technics, modalities, practices /
|c edited by Paola Crespi and Sunil Manghani.
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|a Edinburgh :
|b Edinburgh University Press,
|c [2020]
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|c ©2020
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|a 1 online resource (xvi, 271 pages) :
|b illustrations
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|a Technicities
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|a Includes bibliographical references and index.
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|a Introductions. Rhythm, rhuthmos and rhythmanalysis / Paola Crespi and Sunil Manghani -- Could rhythm become a new scientific paradigm for the humanities? / Pascal Michon -- A genealogy of rhythm / Paola Crespi and Sunil Manghani -- 1. Drawing rhythm : On the work of Rudolf Laban / Paola Crespi -- 2. What is at stake in a theory of rhythm / Henri Meschonnic (translated by Chantal Wright, introduced by Marko Pajevic) -- 3. Rhythm and textural temporality / Xin Wei Sha and Garrett Laroy Johnson -- 4. Attunement of value and capital in the algorithms of social media / Beverly Skeggs and Simon Yuill -- 5. Idiorrhythmy : An (unsustainable) aesthetics of ethics / Sunil Manghani -- 6. Adventures of a line of thought : Rhythmic evolutions of intelligent machines in post-digital culture / Stamatia Portanova -- 7. The configuring of 'context' in rhythmanalysis / Yi Chen -- 8. City rhythms : An approach to urban rhythm analysis / Caroline Nevejan and Pinar Sefkatli -- 9. Rhythm, rhythmanalysis and algorithm-analysis / Julian Henriques.
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|a Rhythm and Critique presents 12 new essays from a range of specialists to define, contextualise and challenge the concepts of rhythm and rhythmanalysis. It includes newly translated materials from Rudolf Laban and Henri Meschonnic. The book begins with a genealogy of rhythm as it occurs through critical theory literatures of the 20th century, enabling the reader to situate philosophical and contemporary readings that further define rhythm as a critical term and mode of analysis. In placing emphasis upon rhythm as cultural technique and locating its significance for the analysis of the everyday, the book offers a clear and engaging overview of a fascinating theoretical field. It helps map a range of histories and approaches and considers how rhythm might now emerge more forcefully and pertinently as a critical framing for contemporary culture.--
|c Provided by publisher.
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|a Paola Crespi is a Visiting Research Fellow at the Topology Research Unit at Goldsmiths, University of London. Her work has been published in international peer-reviewed journals, such as Body & Society (2014, print) and Theory, Culture & Society (2015, Online). She is Section Editor for Cultural Studies and Critical Theory for the Open Journal of the Humanities and is a member of the Editorial Board of Evental Aesthetics: An Independent Journal of Philosophy. Sunil Manghani is Professor of Theory, Practice and Critique at Winchester School of Art, University of Southampton.
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|a Print version record.
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|a JSTOR
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Rhythm.
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|a Modality (Linguistics)
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|a Rythme.
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|a Modalité (Linguistique)
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|a Modality (Linguistics)
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|a Rhythm
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|a Crespi, Paola,
|e editor,
|e author
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700 |
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|a Manghani, Sunil,
|e editor,
|e author.
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776 |
0 |
8 |
|i Print version:
|t Rhythm and critique.
|d Edinburgh : Edinburgh University Press, [2020]
|z 9781474447546
|w (OCoLC)1173494390
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830 |
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0 |
|a Technicities.
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856 |
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