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|a Baron, Cynthia,
|d 1954-
|
245 |
1 |
0 |
|a Reframing screen performance /
|c Cynthia Baron and Sharon Marie Carnicke.
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|a Ann Arbor :
|b University of Michigan Press,
|c [2008]
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|a Includes bibliographical references and index.
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|a Print version record.
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|a PART I: Cinema's varied use of gestures and expressions. Crafting, not capturing "natural" behavior on film -- Giving performance elements their due -- Thinking systematically about acting. PART II: Performance elements, cinematic conventions, and cultural traditions. Ostensive signs and performance montage -- Case study: Chaplin in city lights -- Acting choices and changing cinematic conventions -- Case studies: adaptations of Romeo and Juliet and Hamlet -- Acting styles and cultural-aesthetic traditions -- Case studies: seven Samurai and the magnificent seven. PART III: Terms and concepts from the craft of acting -- Delsarte and the dynamics of human expression -- Case study: smoke -- Laban: temporal and spatial dimensions of movement -- Case study: training day -- Stanislavsky: players' actions as a window into characters' interactions -- Case study: The Grifters.
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
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|a English.
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|a digitized
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650 |
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|a Motion picture acting.
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650 |
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|a Art de l'acteur au cinéma.
|
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|a PERFORMING ARTS
|x Acting & Auditioning.
|2 bisacsh
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|a PERFORMING ARTS
|x Film & Video
|x History & Criticism.
|2 bisacsh
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|a Motion picture acting
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|0 (OCoLC)fst01027093
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|a Carnicke, Sharon Marie,
|d 1949-
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776 |
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|i Print version:
|t Reframing screen performance.
|d Ann Arbor : University of Michigan Press, ©2008
|z 9780472070251
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