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Taking it to the bridge : music as performance /
The overriding aim of this volume — whether the subject is vocal ornamentation in 19th-century opera or the collective improvisation of the Grateful Dead — is to give recognition to performance as the core of musical culture. This collection brings together renowned scholars from performance studies...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Ann Arbor :
University of Michigan Press,
[2013]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Taking it to the bridge : |b music as performance / |c Nicholas Cook and Richard Pettengill, editors. |
| 264 | 1 | |a Ann Arbor : |b University of Michigan Press, |c [2013] | |
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| 504 | |a Includes bibliographical references and index. | ||
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| 505 | 0 | |a Editors' Preface / Nicholas Cook and Richard Pettengill -- A Backward-Looking Foreword / Elisabeth Le Guin -- Introduction / Nicholas Cook and Richard Pettengill -- U2 3D : Concert Films and/as Live Performance / Susan Fast -- Performing Collective Improvisation : The Grateful Dead's "Dark Star" / Richard Pettegill -- Jazz Improvisation as a Social Arrangement / Philip Auslander -- Bridging the Unbridgeable? Empirical Musicology and Interdisciplinary Performance Studies / Nicholas Cook -- The Written and the Sung : Ornamenting Il barbiere di Siviglia / Philip Gossett -- Enacting the Revolution : Thalberg in 1848 / Dana Gooley -- Cutting Loose : Burying "The First Man of Jazz" / Joseph Roach -- Abbey Lincoln's Screaming Singing and the Sonic Liberatory Potential Thereafter / Aida Mbowa -- Got to Get Over the Hump : The Politics of Glam in the Work of Labelle and Parliament / Margaret F. Savilonis -- "Bring the Pain" : Post-Soul Memory, Neo-Soul Affect, and Lauryn Hill in the Black Public Sphere / Daphne A. Brooks -- Don't Stop 'til You Get Enough : Presence, Spectacle, and Good Feeling in Michael Jackson's This Is It / Jason King -- Carles Santos : "Music in the Theatre" / Maria M. Delgado -- Tchekisse : Neba Solo's Senufo Counterpoint in Action / Ingrid Monson -- Playing Games with Music (and Vice Versa) : Ludomusicological Perspectives on Guitar Hero and Rock Band / Roger Moseley -- Beyond Performance : Transmusicking in Cyberspace / David Borgo -- Afterword : Music as Performance : The Disciplinary Dilemma Revisited / Philip Auslander. | |
| 520 | |a The overriding aim of this volume — whether the subject is vocal ornamentation in 19th-century opera or the collective improvisation of the Grateful Dead — is to give recognition to performance as the core of musical culture. This collection brings together renowned scholars from performance studies and musicology with the intent of sparking a productive new dialogue on music as performance. The book provides an inventory of contrasted approaches to the study of performance and contributes to its developing centrality within music studies. | ||
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| 700 | 1 | |a Cook, Nicholas, |d 1950- |e editor. | |
| 700 | 1 | |a Pettengill, Richard, |e editor. | |
| 776 | 0 | 8 | |i Print version: |t Taking it to the bridge |d Ann Arbor : University of Michigan Press, [2013] |z 9780472071777 (cloth : alk. paper) |w (DLC) 2013006635 |
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