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Invention the language of English Renaissance poetics /
For early modern authors, the meaning of invention lay between the classical world's omnipresent notion of imitation and what would later become Romantic ideals of genius and originality. In that sense, their era was a transitional phase, smoothing the passage from the classical notion of poetr...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge :
Legenda, Modern Humanities Research Association,
2019.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 001 | JSTOR_on1196376779 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
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| 008 | 200923t20192019enka ob 001 0 eng d | ||
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| 020 | |a 1781883262 |q (electronic bk.) | ||
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| 020 | |z 1781883203 | ||
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| 100 | 1 | |a Sumillera, Rocío G., |e author. | |
| 245 | 1 | 0 | |a Invention |h [electronic resource] : |b the language of English Renaissance poetics / |c Rocío G. Sumillera. |
| 264 | 1 | |a Cambridge : |b Legenda, Modern Humanities Research Association, |c 2019. | |
| 264 | 4 | |c ©2019 | |
| 300 | |a 1 online resource (x, 160 pages) | ||
| 520 | |a For early modern authors, the meaning of invention lay between the classical world's omnipresent notion of imitation and what would later become Romantic ideals of genius and originality. In that sense, their era was a transitional phase, smoothing the passage from the classical notion of poetry as imitation to the understanding of literature as the product of the author’s creative imagination and original thought. Yet a great conceptual richness lay in this intermediate position, capturing many of the political, religious and social tensions of the Renaissance. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Creation (Literary, artistic, etc.) | |
| 650 | 0 | |a Invention (Rhetoric) | |
| 650 | 0 | |a Imitation. | |
| 650 | 0 | |a English poetry |y Early modern, 1500-1700 |x History and criticism. | |
| 650 | 2 | |a Imitative Behavior | |
| 650 | 6 | |a Invention (Rhétorique) | |
| 650 | 6 | |a Imitation (Psychologie) | |
| 650 | 7 | |a Creation (Literary, artistic, etc.) |2 fast |0 (OCoLC)fst00882393 | |
| 650 | 7 | |a English poetry |x Early modern |2 fast |0 (OCoLC)fst01710963 | |
| 650 | 7 | |a Imitation |2 fast |0 (OCoLC)fst00967684 | |
| 650 | 7 | |a Invention (Rhetoric) |2 fast |0 (OCoLC)fst00977991 | |
| 648 | 7 | |a 1500-1700 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |z 9781781883204 |z 1781883203 |w (DLC) 2019456272 |w (OCoLC)1129028813 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv16kkz9p |z Texto completo |
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| 994 | |a 92 |b IZTAP | ||