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JSTOR_on1196376373 |
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OCoLC |
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20231005004200.0 |
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200923t20192019enka ob 001 0 eng d |
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|a YDX
|b eng
|c YDX
|d JSTOR
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|d OCLCO
|d OCLCQ
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|a 9781781886410
|q (electronic bk.)
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|a 1781886415
|q (electronic bk.)
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|z 9781781886397
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|z 1781886393
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|b 000068009942
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|a (OCoLC)1196376373
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|a 22573/ctv16k2qr9
|b JSTOR
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|a PN1998.3.A435
|b C435 2019eb
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|a 791.4302/33092
|2 23
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|a UAMI
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245 |
0 |
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|a Chantal Akerman
|h [electronic resource] :
|b afterlives /
|c edited by Marion Schmid and Emma Wilson.
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246 |
3 |
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|a Afterlives
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264 |
|
1 |
|a Cambridge :
|b Legenda/Modern Humanities Research Association,
|c 2019.
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264 |
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4 |
|c ©2019
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300 |
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|a 1 online resource.
|
490 |
1 |
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|a Moving Image ;
|v 9
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590 |
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|a JSTOR
|b Books at JSTOR All Purchased
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590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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590 |
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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600 |
1 |
0 |
|a Akerman, Chantal
|x Criticism and interpretation.
|
600 |
1 |
7 |
|a Akerman, Chantal
|2 fast
|0 (OCoLC)fst00056131
|
650 |
|
0 |
|a Women motion picture producers and directors
|z Belgium
|x Criticism and interpretation.
|
650 |
|
6 |
|a Productrices et réalisatrices de cinéma
|z Belgique
|x Critique et interprétation.
|
650 |
|
7 |
|a Women motion picture producers and directors
|2 fast
|0 (OCoLC)fst01178163
|
651 |
|
7 |
|a Belgium
|2 fast
|0 (OCoLC)fst01210278
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
700 |
1 |
|
|a Schmid, Marion,
|d 1969-
|e editor.
|
700 |
1 |
|
|a Wilson, Emma,
|d 1967-
|e editor.
|
776 |
0 |
8 |
|i Print version:
|z 9781781886397
|z 1781886393
|w (DLC) 2019299977
|w (OCoLC)1101905605
|
830 |
|
0 |
|a Moving image (Modern Humanities Research Association) ;
|v 9.
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv16km0vw
|z Texto completo
|
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|a YBP Library Services
|b YANK
|n 301541018
|
994 |
|
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|a 92
|b IZTAP
|