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|a 9781781883341
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|a 843/.91409
|2 23
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|a UAMI
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|a Vuong, Léa.,
|e author
|0 http://id.loc.gov/authorities/names/no2015089322
|1 http://viaf.org/viaf/209281210
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|a Pascal Quignard :
|b towards the Vanishing Point /
|c Léa Vuong.
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|a Cambridge :
|b Legenda,
|c 2016.
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|c ©2016
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|a 1 online resource (128 pages)
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|a Research monographs in French studies ;
|v 48
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|a The award-winning writer Pascal Quignard (1948-) has published many texts and has collaborated with painters, musicians and filmmakers. Yet despite the popularity and critical recognition of his work, Quignard remains a discreet and fleeting presence in the current cultural landscape, sharing with other contemporary French writers the belief that literature is a form of self-effacement. In this first critical study in English, Léa Vuong offers a comprehensive survey of Quignard's still growing œuvre by examining his specific attempts to produce disappearance through -- and for -- writing. His texts and collaborations appear as vanishing acts where the writer, like the figure on the Tomb of the Diver found in Paestum, remains suspended between presence and absence.
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|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a Quignard, Pascal
|x Criticism and interpretation.
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|a Quignard, Pascal.
|2 fast
|0 (OCoLC)fst00017173
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|a Image (Philosophy)
|x In literature.
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|a Image (Philosophie)
|x Dans la littérature.
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|a Modern Humanities Research Association.
|1 http://viaf.org/viaf/142770503
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|i Print version:
|z 9781909662919
|z 1909662917
|w (DLC) 2017296531
|w (OCoLC)920454042
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|a Research monographs in French studies ;
|v 48.
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv16kkx54
|z Texto completo
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938 |
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|a YBP Library Services
|b YANK
|n 301541032
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|a 92
|b IZTAP
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