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|2 23
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|a UAMI
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|a Ellis Neyra, Ren,
|d 1983-
|e author.
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|a The cry of the senses :
|b listening to Latinx and Caribbean poetics /
|c Ren Ellis Neyra.
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|a Durham :
|b Duke University Press,
|c 2020.
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|c ©2020
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300 |
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|a 1 online resource (xxii, 222 pages) :
|b color illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Dissident acts
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|a Includes bibliographical references and index.
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|a Introduction: Cry Bomba -- Chapter 1: "ŁAnormales!": Unruly Audition in Performances of 1970s Salsa -- Chapter 2: "I have been forced to hear a lot": The FALN, The Masses Are Asses, and the -- Shapes and Sounds of Defiant Women -- Chapter 3: Sensorial Errancy in Beatriz Santiago Muñóz's Cinema -- Chapter 4: Slow Lightning, Ecstatic Mourning, and Migratory Refuge -- Coda, in three: "fifty-two plastic bombs exploding as one, thundered against the sky."
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|a "In The Cry of the Senses, Ren Ellis Neyra examines the imaginative possibility for sound and poetics to foster new modes of sensorial solidarity in the Caribbean Americas. Weaving together the black radical tradition with Caribbean and Latinx performance, cinema, music, and literature, Ellis Neyra highlights the ways Latinx and Caribbean sonic practices challenge antiblack, colonial, post-Enlightenment, and humanist epistemologies. They locate and address the sonic in its myriad manifestations-across genres and forms, in a legal trial, and in the art and writing of Xandra Ibarra, the Fania All-Stars, Beatriz Santiago Muñóz, Edouard Glissant, and Eduardo Corral - while demonstrating how it operates as a raucous form of diasporic dissent and connectivity. Throughout, Ellis Neyra emphasizes Caribbean and Latinx sensorial practices while attuning readers to the many forms of blackness and queerness. Tracking the sonic through their method of multi-sensorial, poetic listening, Ellis Neyra shows how attending to the senses can inspire alternate, ethical ways of collective listening and being"--
|c Provided by publisher
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|a Online resource; title from digital title page (viewed on November 10, 2020).
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified]:
|c HathiTrust Digital Library.
|d 2021.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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583 |
1 |
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|a digitized
|c 2021.
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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650 |
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|a Hispanic Americans in the performing arts.
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|a Hispanic Americans
|x Ethnic identity.
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|a Queer theory.
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|a Performing arts and literature.
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|a Art and race.
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|a Américains d'origine latino-américaine dans les arts du spectacle.
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|a Théorie queer.
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|a Art et race.
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|a ART
|x Performance.
|2 bisacsh
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|a Hispanic Americans in the performing arts
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|a Performing arts and literature
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|0 (OCoLC)fst01740130
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|
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|a Queer theory
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|0 (OCoLC)fst01739572
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776 |
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|i Print version:
|a Ellis Neyra, Ren, 1983-
|t Cry of the senses.
|d Durham : Duke University Press, 2020
|z 9781478010111
|w (DLC) 2020018209
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830 |
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|a Dissident acts.
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv18bv9mm
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