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Queer representations in Chinese-language film and the cultural landscape /

This book provides a cultural history of queer representations in Chinese-language film and media, negotiated by locally produced knowledge, local cultural agency, and lived histories. Incorporating a wide range of materials in both English and Chinese, this interdisciplinary project investigates th...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Chao, Shi-Yan (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam : Amsterdam University Press, [2020]
Colección:Asian visual cultures.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Chao, Shi-Yan,  |e author. 
245 1 0 |a Queer representations in Chinese-language film and the cultural landscape /  |c Shi-Yan Chao. 
264 1 |a Amsterdam :  |b Amsterdam University Press,  |c [2020] 
300 |a 1 online resource 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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490 1 |a Asian visual cultures 
588 0 |a Online resource; title from PDF title page (EBSCO, viewed September 9, 2020). 
504 |a Includes bibliographical references and index. 
505 0 0 |t Frontmatter --  |t Table of Contents --  |t List of Figures --  |t Acknowledgements --  |t Introduction: Processing Tongzhi/Queer Imaginaries --  |t 1. The Chinese Queer Diasporic Imaginary --  |t 2. Two Stage Sisters: Comrades, Almost a Love Story --  |t 3. Mass Camp in Contemporary Hong Kong Cinema --  |t 4. Toward an Aesthetic of Tongzhi Camp --  |t 5. Coming Out of The Box, Lalas with DV Cameras --  |t 6. Performing Gender, Performing Documentary in Postsocialist China --  |t Conclusion --  |t Chinese Glossary --  |t Bilingual Filmography --  |t Bibliography --  |t Index 
520 |a This book provides a cultural history of queer representations in Chinese-language film and media, negotiated by locally produced knowledge, local cultural agency, and lived histories. Incorporating a wide range of materials in both English and Chinese, this interdisciplinary project investigates the processes through which Chinese tongzhi/queer imaginaries are articulated, focusing on four main themes: the Chinese familial system, Chinese opera, camp aesthetic, and documentary impulse. Chao's discursive analysis is rooted in and advances genealogical inquiries: a non-essentialist intervention into the "Chinese" idea of filial piety, a transcultural perspective on the contested genre of film melodrama, a historical investigation of the local articulations of mass camp and gay camp, and a transnational inquiry into the different formats of documentary. This book is a must for anyone exploring the cultural history of Chinese tongzhi/queer through the lens of transcultural media 
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650 0 |a Sexual minorities in motion pictures. 
650 0 |a Homosexuality in motion pictures. 
650 0 |a Motion pictures, Chinese. 
650 0 |a Sexual minorities in mass media. 
650 6 |a Minorités sexuelles au cinéma. 
650 6 |a Homosexualité au cinéma. 
650 6 |a Cinéma chinois. 
650 6 |a Minorités sexuelles dans les médias. 
650 7 |a Films, cinema.  |2 bicssc 
650 7 |a Gay and Lesbian studies.  |2 bicssc 
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650 7 |a Sexual minorities in motion pictures  |2 fast  |0 (OCoLC)fst01904665 
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650 7 |a Queer theory.  |2 homoit 
830 0 |a Asian visual cultures. 
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