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La raza cosmética beauty, identity, and settler colonialism in postrevolutionary Mexico /
"La Raza Cósmetica examines postrevolutionary identity construction as a project of settler colonialism that at once appropriated and erased indigeneity. In its critique of Indigenous representation, it also shows how Indigenous women strategically engaged with and resisted these projects as t...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Documento de Gobierno Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Tucson :
The University of Arizona Press,
2020.
|
| Colección: | Book collections on Project MUSE.
Critical issues in indigenous studies. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Varner, Natasha, |d 1981- |e author. | |
| 245 | 1 | 0 | |a La raza cosmética |b beauty, identity, and settler colonialism in postrevolutionary Mexico / |c Natasha Varner. |
| 264 | 1 | |a Tucson : |b The University of Arizona Press, |c 2020. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 0000 | |
| 264 | 4 | |c 2020. | |
| 300 | |a 1 online resource (xiv, 186 pages : illustrations) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 490 | 1 | |a Critical issues in indigenous studies | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a "La Raza Cósmetica examines postrevolutionary identity construction as a project of settler colonialism that at once appropriated and erased indigeneity. In its critique of Indigenous representation, it also shows how Indigenous women strategically engaged with and resisted these projects as they played out in beauty pageants, films, tourism, art, and other realms of popular culture"-- |c Provided by publisher. | ||
| 588 | |a Description based on print version record. | ||
| 505 | 0 | |a Cover -- Series information -- Title page -- Copyright information -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1. La reina de la raza: The Making of the India Bonita -- 2. La Flor más Bella del Ejido: Springtime Maidens, Invented Tradition, and Making a "Modern" Mexico City -- 3. Cine folclórico: From Racial Fantasy to Cinematic Spectacle -- 4. Virgén Xochimilco: Pure Women and Waters in Mexico City's Suburban South -- 5. Doña Luz Jiménez: "The Most Painted Woman in All of Mexico" -- Conclusion -- Notes -- Bibliography -- Index -- About the Author | |
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| 650 | 0 | |a Indigenous women |z Mexico |x Social conditions |y 20th century. | |
| 650 | 0 | |a Indian women |z Mexico |x Social conditions |y 20th century. | |
| 651 | 0 | |a Mexico |x Race relations |x History |y 20th century. | |
| 650 | 0 | |a Settler colonialism |z Mexico. | |
| 650 | 6 | |a Femmes dans la culture populaire |z Mexique |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Femmes des Peuples autochtones |z Mexique |x Conditions sociales |y 20e siècle. | |
| 650 | 6 | |a Femmes autochtones |z Mexique |x Conditions sociales |y 20e siècle. | |
| 650 | 6 | |a Colonialisme de peuplement |z Mexique. | |
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| 650 | 7 | |a Indian women |x Social conditions |2 fast | |
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| 830 | 0 | |a Book collections on Project MUSE. | |
| 830 | 0 | |a Critical issues in indigenous studies. | |
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