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|a UAMI
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1 |
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|a Thornbury, Barbara E.
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|a Sukeroku's double identity :
|b the dramatic structure of Edo kabuki /
|c Barbara E. Thornbury.
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| 260 |
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|a Ann Arbor :
|b Center for Japanese Studies, University of Michigan,
|c 1982.
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| 300 |
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|a 1 online resource (x, 99 p.).
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 490 |
1 |
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|a Michigan papers in Japanese studies ;
|v no. 6
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| 504 |
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|a Bibliography: p. 79-87.
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| 588 |
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|a Description based on print version record; resource not viewed.
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|a Cover -- Title -- Copyright -- Contents -- Acknowledgements -- Introduction -- Part One: Edo Kabuki -- Chapter 1: The Calendar of Kabuki -- Opening the theater year: the kao-mise production -- The long-run spring production: the Soga tradition -- Winding down the theater year: the bon and farewell productions -- Chapter 2: The Principles of Edo Kabuki -- The multi-part structure of kabuki -- The link between the old and new orders -- Sekai and shukō: tradition and innovation -- Part Two: Sukeroku's Double Identity
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| 505 |
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|a Chapter 3: Sukeroku as Soga Gorō, a God-Hero of the Nation: The Development of the Soga Tradition -- The Soga brothers' revenge -- The origins of the Soga tradition in nō, kōwaka, and ko-jōruri -- Ichikawa Danjūrō I and the representation of Soga Gorō in kabuki -- Chapter 4: Sukeroku, Flower of Edo: The Transformation of Soga Gorō into Sukeroku -- The origins of the Sukeroku innovation -- Ichikawa Danjūrō II and the introduction of the Sukeroku innovation to Edo kabuki -- Sukeroku: flower of Edo -- Conclusion -- Postscript: Reconstructing Kabuki for Performance -- Select Bibliography
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| 505 |
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|a Appendix I: Kabuki Source Materials of the Tokugawa Period -- Appendix II: List of Japanese Terms, Names, and Titles
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| 590 |
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|a JSTOR
|b Books at JSTOR Open Access
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| 590 |
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|a JSTOR
|b Books at JSTOR All Purchased
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| 600 |
1 |
0 |
|a Soga, Tokimune,
|d 1174-1193
|x In literature.
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| 600 |
1 |
1 |
|a Soga, Tokimune,
|d 1174-1193
|x In literature.
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| 650 |
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0 |
|a Kabuki
|x History
|y 18th century.
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| 650 |
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0 |
|a Kabuki
|x History
|y 19th century.
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| 650 |
|
6 |
|a Kabuki
|x Histoire
|y 18e siècle.
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| 650 |
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6 |
|a Kabuki
|x Histoire
|y 19e siècle.
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| 650 |
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6 |
|a Kabuki (Pièces)
|x Histoire et critique.
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| 650 |
|
7 |
|a SOCIAL SCIENCE / General
|2 bisacsh
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| 650 |
|
7 |
|a Kabuki
|2 fast
|0 (OCoLC)fst00985596
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| 650 |
|
7 |
|a Kabuki plays
|2 fast
|0 (OCoLC)fst00985607
|
| 648 |
|
7 |
|a 1700-1899
|2 fast
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| 655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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| 655 |
|
7 |
|a History
|2 fast
|0 (OCoLC)fst01411628
|
| 776 |
0 |
8 |
|i Print version:
|t Sukeroku's double identity
|d Ann Arbor : Center for Japanese Studies, University of Michigan, 1982.
|z 0939512114 (pbk.)
|w (DLC) 82146850
|
| 830 |
|
0 |
|a Michigan papers in Japanese studies ;
|v no. 6.
|
| 856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.3998/mpub.18683
|z Texto completo
|
| 938 |
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|a Project MUSE
|b MUSE
|n muse91959
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|a YBP Library Services
|b YANK
|n 301483787
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|a University of Michigan press
|b UOMP
|n 10.3998/mpub.18683
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|a YBP Library Services
|b YANK
|n 302835347
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|b IZTAP
|
