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Bach reworked /

"Scholars and performers have long noted J.S. Bach's abundant use of parody procedures, that is, the reworking of pre-existing material from his own compositions or from other sources. Laura Buch edits essays that reconsider parody, transcription, and adaptation in the sphere of the compos...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Buch, Laura (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Urbana : University of Illinois Press, [2020]
Colección:Bach perspectives ; v. 13.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Bach reworked /  |c edited by Laura Buch. 
264 1 |a Urbana :  |b University of Illinois Press,  |c [2020] 
300 |a 1 online resource (viii, 148 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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490 1 |a Bach perspectives ;  |v volume 13 
504 |a Includes bibliographical references and index. 
505 0 |a Reworking Fischer : Some Observations about Johann Sebastian Bach and Johann Caspar Ferdinand Fischer / by Markus Zepf -- Repaying Debt with Interest : The Revision of Borrowed Movements in C.P.E. Bach's Passions / by Moira Leanne Hill -- The Bach-Busoni Goldberg Variations / by Erinn E. Knyt -- Bach as Modern Jazz / by Stephen A. Crist -- Certifying J.S. Bach's Interplanetary Funksmanship; or, What Bach Meant to Bernie Worrell / by Ellen Exner. 
520 |a "Scholars and performers have long noted J.S. Bach's abundant use of parody procedures, that is, the reworking of pre-existing material from his own compositions or from other sources. Laura Buch edits essays that reconsider parody, transcription, and adaptation in the sphere of the composer. The contributors delve into works of eighteenth-century composers from Bach himself to C.P.E. Bach and J.C.F. Fischer. But they also cast a wider net, investigating early twentieth century reworkings by Ferruccio Busoni and the ways Bach's music cross-pollinates with contemporary composer-performers John Lewis and the Modern Jazz Quartet, and keyboardist Bernie Worrell and Parliament-Funkadelic. The diverse contexts illuminate a broad range of techniques, from structural scaffolding and contrapuntal elaboration to integration with stylistic languages far removed from the Baroque. An insightful look at how composers build on each other's work, Bach Reworked reveals how nuanced understandings of borrowing and adaptation both fuel musical innovation and contextualize historically informed performance"--  |c Provided by publisher 
588 0 |a Online resource; title from digital title page (viewed on December 22, 2020). 
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600 1 0 |a Bach, Johann Sebastian,  |d 1685-1750  |x Criticism and interpretation. 
600 1 0 |a Bach, Johann Sebastian,  |d 1685-1750  |x Influence. 
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650 0 |a Music  |y 18th century  |x History and criticism. 
650 0 |a Parody in music. 
650 0 |a Jazz  |x History and criticism. 
650 6 |a Musique  |y 18e siècle  |x Histoire et critique. 
650 6 |a Parodie (Musique) 
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648 7 |a 1700-1799  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
700 1 |a Buch, Laura,  |e editor. 
776 0 8 |i Print version:  |t Bach reworked.  |d Urbana : University of Illinois Press, 2020  |z 9780252043635  |w (DLC) 2020030549 
830 0 |a Bach perspectives ;  |v v. 13. 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.5406/j.ctv1bhg2t7  |z Texto completo 
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