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Nadia Boulanger : thoughts on music /

"The impact of Nadia Boulanger (1887-1979) on twentieth-century music was vast: as composer, keyboard performer, conductor, impresario, and pedagogue. Her extensive musical networks included figures such as Fauré, Stravinsky, and Poulenc, and her advocacy helped establish the compositions of h...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Boulanger, Nadia (Autor)
Otros Autores: Brooks, Jeanice (Traductor, Editor ), Francis, Kimberly A., 1979- (Traductor, Editor )
Formato: Electrónico eBook
Idioma:Inglés
Francés
Publicado: Rochester, NY : University of Rochester Press, 2020.
Colección:Eastman studies in music.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Timeline of Nadia Boulanger's life
  • Introduction. Thinking about music : Nadia Boulanger's Pensées ; Frameworks ; Themes and debates
  • Le Monde musical, 1919-27. "Concerts Colonne-Lamoureux" (January 1919) ; "Simples Réflexions" (March 1919) ; "Concerts Colonne-Lamoureux" (May 1919) ; "Concerts Colonne" (November 1919) ; "Concerts Colonne" (December 1919) ; "Walter Damrosch et le New-York Symphony Orchestra à Paris" (May 1920) ; "Le Jubilé de W. Mengelberg" (June 1920) ; "Concerts Colonne" (December 1920) ; "Concerts Colonne" (March 1921) ; "Concerts Colonne" (April 1921) ; "Salle Gaveau: Flonzaley Quartet" (October 1921) ; "Concerts Colonne" (November 1921) ; "Concerts Koussevitzky" (November 1921) ; "L'Heure Espagnole" (December 1921) ; "Concerts Koussevitzky" (December1921) ; "Concerts Koussevitzky" (November 1923) ; "Le Traité de'improvisation de Marcel Dupré" (January 1926) ; "Le Chevalier à la Rose" (February 1927)
  • Other critical writing, 1913-29. "La musique religieuse," La Revue musicale (1922) ; "L'Oeuvre théâtrale d'Albert Roussel," La Revue musicale (1929)
  • Spectateur, 1946-47. "Le Miracle de Toscanini" (June 18, 1946) ; "Voici revenue la saison des concerts" (October 1, 1946) ; "Concerts symphoniques: Premières auditions" (October 22, 1946) ; "La symphonie d'Igor Strawinsky" (November 26, 1946) ; "Les concerts symphoniques" (December 10, 1946) ; "Les concerts symphoniques" (January 7, 1947) ; "Les premières auditions" (January 21, 1947) ; "Les concerts symphoniques: Un nouveau chef-d'œuvre d'Igor Strawinsky" (February 11, 1947) ; "Igor Markevitch, Dinu Lipatti, Jean Françaix" (March 11, 1947) ; "Karol Szymanowsky: Les grands concerts" (April 1, 1947) ; "Les concerts symphoniques" (April 8, 1947) ; "Les grands concerts, Béla Bartók" (April 22, 1947) ; "Les grands concerts, Figure humaine de Francis Poulenc" (June 10, 1947) ; "Les grands concerts" (June 24, 1947) ; "Fin de saison" (July 11, 1947)
  • Tributes, 1924-78. In memoriam: Tribute and speech for the state funeral for Gabriel Fauré (1924) ; "Le professeur" Auguste Chapuis (1934) ; In memoriam: Speech on the twenty-fifth anniversary of the Gabriel Fauré's death (1949) ; In memoriam: Dinu Lipatti (1952) ; In memoriam: Roger Ducasse (1955) ; Tribute: Igor Markevitch (1959) ; In memoriam: Jean Binet (1961) ; In memoriam: Marie-Blanche, Comtesse Jean de Polignac (1965) ; "Un soir inoublié": Tribute: Yehudi Menuhin (January 1967) ; In memoriam: André Caplet (1978)
  • Course transcripts. "La musique moderne," Le monde musical (1926) ; "La visite de l'Ecole Normale de Musique," Conferencia (1933) ; "Le Piano," Le monde musical (1936)
  • Lectures and speeches. Houston lectures, stenographies of original English (1925) ; Lecture on Gabriel Fauré (undated [1940-49]) ; On hearing (undated)
  • Broadcasts. Lecture for the BBC, "French choral music" (1936) ; Lecture for the BBC, Music of the week (1937) ; Lecture for the BBC, Music of the week ["Dumbarton Oaks concerto"] (1938) ; "La musique et la vie quotidienne," The Listener (1938) ; Script for a program of Bach cantata excerpts for the Club d'Essai (1947) ; Script for a program of Haydn trios for the Club d'Essai (1948)
  • Thinking at the close. "Propos impromptus: Nadia Boulanger," Le courier musical (1978)
  • Bibliography of Nadia Boulanger's published writing.