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Nadia Boulanger : thoughts on music /
"The impact of Nadia Boulanger (1887-1979) on twentieth-century music was vast: as composer, keyboard performer, conductor, impresario, and pedagogue. Her extensive musical networks included figures such as Fauré, Stravinsky, and Poulenc, and her advocacy helped establish the compositions of h...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés Francés |
| Publicado: |
Rochester, NY :
University of Rochester Press,
2020.
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| Colección: | Eastman studies in music.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Boulanger, Nadia, |e author. | |
| 240 | 1 | 0 | |a Literary works. |k Selections. |l English |
| 245 | 1 | 0 | |a Nadia Boulanger : |b thoughts on music / |c edited and translated by Jeanice Brooks and Kimberly Francis. |
| 264 | 1 | |a Rochester, NY : |b University of Rochester Press, |c 2020. | |
| 264 | 4 | |c ©2020 | |
| 300 | |a 1 online resource (xxiv, 484 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 490 | 1 | |a Eastman Studies in Music | |
| 504 | |a Includes bibliographical references (pages 441-454) and index. | ||
| 505 | 0 | |a Timeline of Nadia Boulanger's life -- Introduction. Thinking about music : Nadia Boulanger's Pensées ; Frameworks ; Themes and debates -- Le Monde musical, 1919-27. "Concerts Colonne-Lamoureux" (January 1919) ; "Simples Réflexions" (March 1919) ; "Concerts Colonne-Lamoureux" (May 1919) ; "Concerts Colonne" (November 1919) ; "Concerts Colonne" (December 1919) ; "Walter Damrosch et le New-York Symphony Orchestra à Paris" (May 1920) ; "Le Jubilé de W. Mengelberg" (June 1920) ; "Concerts Colonne" (December 1920) ; "Concerts Colonne" (March 1921) ; "Concerts Colonne" (April 1921) ; "Salle Gaveau: Flonzaley Quartet" (October 1921) ; "Concerts Colonne" (November 1921) ; "Concerts Koussevitzky" (November 1921) ; "L'Heure Espagnole" (December 1921) ; "Concerts Koussevitzky" (December1921) ; "Concerts Koussevitzky" (November 1923) ; "Le Traité de'improvisation de Marcel Dupré" (January 1926) ; "Le Chevalier à la Rose" (February 1927) -- Other critical writing, 1913-29. "La musique religieuse," La Revue musicale (1922) ; "L'Oeuvre théâtrale d'Albert Roussel," La Revue musicale (1929) -- Spectateur, 1946-47. "Le Miracle de Toscanini" (June 18, 1946) ; "Voici revenue la saison des concerts" (October 1, 1946) ; "Concerts symphoniques: Premières auditions" (October 22, 1946) ; "La symphonie d'Igor Strawinsky" (November 26, 1946) ; "Les concerts symphoniques" (December 10, 1946) ; "Les concerts symphoniques" (January 7, 1947) ; "Les premières auditions" (January 21, 1947) ; "Les concerts symphoniques: Un nouveau chef-d'œuvre d'Igor Strawinsky" (February 11, 1947) ; "Igor Markevitch, Dinu Lipatti, Jean Françaix" (March 11, 1947) ; "Karol Szymanowsky: Les grands concerts" (April 1, 1947) ; "Les concerts symphoniques" (April 8, 1947) ; "Les grands concerts, Béla Bartók" (April 22, 1947) ; "Les grands concerts, Figure humaine de Francis Poulenc" (June 10, 1947) ; "Les grands concerts" (June 24, 1947) ; "Fin de saison" (July 11, 1947) -- Tributes, 1924-78. In memoriam: Tribute and speech for the state funeral for Gabriel Fauré (1924) ; "Le professeur" Auguste Chapuis (1934) ; In memoriam: Speech on the twenty-fifth anniversary of the Gabriel Fauré's death (1949) ; In memoriam: Dinu Lipatti (1952) ; In memoriam: Roger Ducasse (1955) ; Tribute: Igor Markevitch (1959) ; In memoriam: Jean Binet (1961) ; In memoriam: Marie-Blanche, Comtesse Jean de Polignac (1965) ; "Un soir inoublié": Tribute: Yehudi Menuhin (January 1967) ; In memoriam: André Caplet (1978) -- Course transcripts. "La musique moderne," Le monde musical (1926) ; "La visite de l'Ecole Normale de Musique," Conferencia (1933) ; "Le Piano," Le monde musical (1936) -- Lectures and speeches. Houston lectures, stenographies of original English (1925) ; Lecture on Gabriel Fauré (undated [1940-49]) ; On hearing (undated) -- Broadcasts. Lecture for the BBC, "French choral music" (1936) ; Lecture for the BBC, Music of the week (1937) ; Lecture for the BBC, Music of the week ["Dumbarton Oaks concerto"] (1938) ; "La musique et la vie quotidienne," The Listener (1938) ; Script for a program of Bach cantata excerpts for the Club d'Essai (1947) ; Script for a program of Haydn trios for the Club d'Essai (1948) -- Thinking at the close. "Propos impromptus: Nadia Boulanger," Le courier musical (1978) -- Bibliography of Nadia Boulanger's published writing. | |
| 520 | |a "The impact of Nadia Boulanger (1887-1979) on twentieth-century music was vast: as composer, keyboard performer, conductor, impresario, and pedagogue. Her extensive musical networks included figures such as Fauré, Stravinsky, and Poulenc, and her advocacy helped establish the compositions of her sister Lili Boulanger. Few today realize, though, that Boulanger wrote numerous essays and reviews at various times in her career. These offer unparalleled insight into her thinking and illuminate aspects of musical culture in Europe and America from the from the rare point of view of an internationally prominent female artist. Nadia Boulanger: Thoughts on Music provides a translation and critical edition of selected writings chosen for their quality and interest. The previously published articles and essays have never been reissued since their original appearance; the remaining materials are presented to the reading public here for the first time. The volume renders all these materials widely available, providing an important new resource for teaching and scholarship on twentieth-century music as well as an engaging collection of musical essays for the general reader."--Provided by publisher | ||
| 588 | 0 | |a Online resource; title from digital title page (viewed on October 15, 2020). | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 600 | 1 | 0 | |a Boulanger, Nadia. |
| 600 | 1 | 1 | |a Boulanger, Nadia. |
| 600 | 1 | 7 | |a Boulanger, Nadia |2 fast |
| 650 | 0 | |a Music |y 20th century |x History and criticism. | |
| 650 | 0 | |a Music teachers |z France |v Biography. | |
| 650 | 0 | |a Conductors (Music) |v Biography. | |
| 650 | 0 | |a Composers |v Biography. | |
| 650 | 0 | |a Keyboard players |v Biography. | |
| 650 | 6 | |a Professeurs de musique |z France |v Biographies. | |
| 650 | 6 | |a Chefs d'orchestre |v Biographies. | |
| 650 | 6 | |a Compositeurs |v Biographies. | |
| 650 | 6 | |a Claviéristes |v Biographies. | |
| 650 | 7 | |a 20th century & contemporary classical music. |2 bicssc | |
| 650 | 7 | |a Gender studies: women. |2 bicssc | |
| 650 | 7 | |a MUSIC |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Women's Studies. |2 bisacsh | |
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| 650 | 7 | |a Music teachers |2 fast | |
| 650 | 7 | |a Conductors (Music) |2 fast | |
| 650 | 7 | |a Composers |2 fast | |
| 650 | 7 | |a Keyboard players |2 fast | |
| 651 | 7 | |a France |2 fast | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a collective biographies. |2 aat | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a Biographies |2 fast | |
| 655 | 7 | |a Biographies. |2 lcgft | |
| 655 | 7 | |a Biographies. |2 rvmgf | |
| 700 | 1 | |a Brooks, Jeanice, |e translator, |e editor. | |
| 700 | 1 | |a Francis, Kimberly A., |d 1979- |e translator, |e editor. | |
| 776 | 0 | 8 | |i Print version: |a Brooks, Jeanice. |t Nadia Boulanger : Thoughts on Music. |d Melton : University of Rochester Press, ©2020 |
| 830 | 0 | |a Eastman studies in music. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctvxhrmb7 |z Texto completo |
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