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200815s1956 nju o 000 0 eng d |
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|a EBLCP
|b eng
|e rda
|c EBLCP
|d JSTOR
|d UKAHL
|d OCLCF
|d CSA
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|d OCLCO
|d OCLCQ
|d N$T
|d OCLCO
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|a 9780691218366
|q (electronic bk.)
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|a 0691218366
|q (electronic bk.)
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|b 000067957956
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|a (OCoLC)1183955730
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|a 22573/ctv143cgb6
|b JSTOR
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|a ML3800.Z83
|b S68 1956eb
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|a 780.1
|2 23
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|a UAMI
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|a Zuckerkandl, Victor,
|e author
|0 http://id.loc.gov/authorities/names/nr88001800
|1 http://viaf.org/viaf/121811405
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| 245 |
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|a Sound and Symbol.
|n Volume 1,
|p Music and the External World.
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| 264 |
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1 |
|a Princeton :
|b Princeton University Press,
|c 1956.
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| 300 |
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|a 1 online resource (418 pages).
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|a text
|b txt
|2 rdacontent
|0 http://id.loc.gov/vocabulary/contentTypes/txt
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|a computer
|b c
|2 rdamedia
|0 http://id.loc.gov/vocabulary/mediaTypes/c
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|a online resource
|b cr
|2 rdacarrier
|0 http://id.loc.gov/vocabulary/carriers/cr
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| 490 |
1 |
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|a Bollingen Series (General) Ser. ;
|v v.655
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| 500 |
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|a Description based upon print version of record.
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|a Cover Page -- Title Page -- Copyright Page -- Contents -- Foreword -- Tone -- I. The Dynamic Quality of Tone -- II. The Pulse Theory -- III. The System of Tones -- IV. Associationism -- V. The Three Components of Sense Perception -- VI. The Dynamic Symbol -- Motion -- Prefatory Note -- VII. The Paradox of Tonal Motion -- VIII. The True Motion of Tones -- Interval -- Scale -- Harmonic Ca dence -- IX. The Continuity of Tonal Motion -- Philosophical Considerations -- Psychological Considerations -- Musical Considerations -- X. The ""Third Stage -- Time -- XI. Meter and Rhythm
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|a The Temporal Component of Music -- Musical Meter -- The Dynamic Quality of Meter -- Polarity and Intensification -- Clash with Philosophy -- Protectionism -- Rhythm as Experience of Time -- XII. The Musical Concept of Time -- Experienced Time -- Time Producing Events -- Time Knows No Equality of Parts -- Digression 1: Repetition in Music -- Time Knows Nothing of Transience -- Digression 11: Temporal Gestalt -- Are There Two Times? -- XIII. Tone as the Image of Time -- Space -- XIV. The ""Nonspatial"" Art -- XV. Is Space Audible? -- XVI. The Placeless, Flowing Space of Tones
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|a XVII. The Order of Auditory Space -- Triad -- Scale -- Octave -- Ensemble -- XVIII. Space as Place and Space as Force -- XIX. A Last Word on High and Low in Tones -- XX. Summary and Prospect -- List of Works Cited -- Index
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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| 650 |
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|a Music
|x Philosophy and aesthetics.
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| 650 |
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|a Musique
|x Philosophie et esthétique.
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| 650 |
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|a Music
|x Philosophy and aesthetics
|2 fast
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| 700 |
1 |
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|a Trask, Willard R.
|1 http://viaf.org/viaf/11227739
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| 776 |
0 |
8 |
|i Print version:
|a Zuckerkandl, Victor
|t Sound and Symbol, Volume 1 : Music and the External World
|d Princeton : Princeton University Press,c1956
|z 9780691098289
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| 830 |
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0 |
|a Bollingen Series (General) Ser.
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| 856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1416378
|z Texto completo
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| 938 |
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|a Askews and Holts Library Services
|b ASKH
|n AH37651896
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| 938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL6284424
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| 938 |
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|a EBSCOhost
|b EBSC
|n 2527397
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| 994 |
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|a 92
|b IZTAP
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