|
|
|
|
LEADER |
00000cam a2200000 i 4500 |
001 |
JSTOR_on1179046386 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr cnu---unuuu |
008 |
200801t20202020enk o 000 0 eng d |
040 |
|
|
|a YDX
|b eng
|e rda
|e pn
|c YDX
|d EBLCP
|d P@U
|d OCLCO
|d YDXIT
|d N$T
|d JSTOR
|d UKAHL
|d OCLCF
|d VT2
|d YDX
|d UIU
|d OCLCQ
|d OCLCO
|d OCLCQ
|d UIU
|
019 |
|
|
|a 1181840739
|
020 |
|
|
|a 9781526115843
|q (electronic bk.)
|
020 |
|
|
|a 1526115840
|q (electronic bk.)
|
020 |
|
|
|z 0719080061
|
020 |
|
|
|z 9780719080067
|
029 |
1 |
|
|a AU@
|b 000067620309
|
035 |
|
|
|a (OCoLC)1179046386
|z (OCoLC)1181840739
|
037 |
|
|
|a 22573/ctv14mwxwp
|b JSTOR
|
043 |
|
|
|a n-cn-qu
|
050 |
|
4 |
|a PQ3919.2.L545
|b Z587 2020
|
050 |
|
4 |
|a PQ3919.2.L42
|b Z587 2020
|
072 |
|
7 |
|a ART
|x 016000
|2 bisacsh
|
072 |
|
7 |
|a ART
|x 017000
|2 bisacsh
|
072 |
|
7 |
|a PER
|x 004010
|2 bisacsh
|
072 |
|
7 |
|a PER
|x 011000
|2 bisacsh
|
072 |
|
7 |
|a PER
|x 011010
|2 bisacsh
|
072 |
|
7 |
|a PER
|x 011020
|2 bisacsh
|
072 |
|
7 |
|a PER
|x 011040
|2 bisacsh
|
082 |
0 |
4 |
|a 842/.914
|2 23
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Fricker, Karen,
|e author.
|
245 |
1 |
0 |
|a Robert Lepage's original stage productions :
|b making theatre global /
|c Karen Fricker.
|
264 |
|
1 |
|a Manchester [UK] :
|b Manchester University Press,
|c 2020.
|
264 |
|
4 |
|c ©2020
|
300 |
|
|
|a 1 online resource
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
490 |
1 |
|
|a Theatre: theory - practice - performance
|
505 |
0 |
|
|a Front Matter -- Dedication -- Contents -- List of figures -- Acknowledgements -- Introduction -- Local, global, universal? The Dragon's Trilogy -- Vinci: Lepage in his own line of vision -- Lepage's cinematic dramaturgy -- Lepage's affective economy -- Branding Ex Machina -- Neoliberalism, authorship, legacy: Lepage and Ex Machina's futures -- Coda: Lepage exposed -- Appendix -- References -- Index
|
520 |
|
|
|a This book calls upon globalisation, queer, cinema, and affect studies to explore key Robert Lepage productions from 1984 to 2008, analysing the systems through which his work is produced and disseminated.
|
588 |
0 |
|
|a Online resource; title from digital title page (viewed on August 07, 2020).
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
600 |
1 |
0 |
|a Lepage, Robert,
|d 1957-
|x Stage history.
|
600 |
1 |
7 |
|a Lepage, Robert,
|d 1957-
|2 fast
|0 (OCoLC)fst01798878
|
650 |
|
0 |
|a Theater
|x Production and direction
|z Québec (Province)
|
650 |
|
0 |
|a Theater and globalization.
|
650 |
|
6 |
|a Théâtre
|x Production et mise en scène
|z Québec (Province)
|
650 |
|
6 |
|a Théâtre et mondialisation.
|
650 |
|
7 |
|a ART
|x Individual Artists
|x General.
|2 bisacsh
|
650 |
|
7 |
|a Theater and globalization
|2 fast
|0 (OCoLC)fst01745966
|
650 |
|
7 |
|a Theater
|x Production and direction
|2 fast
|0 (OCoLC)fst01149278
|
651 |
|
7 |
|a Québec
|2 fast
|0 (OCoLC)fst01207316
|
776 |
0 |
8 |
|i Print version:
|z 0719080061
|z 9780719080067
|w (OCoLC)1130767976
|
830 |
|
0 |
|a Theatre (Manchester, England)
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv14npjkf
|z Texto completo
|
938 |
|
|
|a Askews and Holts Library Services
|b ASKH
|n AH37008422
|
938 |
|
|
|a Askews and Holts Library Services
|b ASKH
|n AH37008421
|
938 |
|
|
|a ProQuest Ebook Central
|b EBLB
|n EBL6270063
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 2543964
|
938 |
|
|
|a Project MUSE
|b MUSE
|n muse86419
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 16867725
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 17229874
|
994 |
|
|
|a 92
|b IZTAP
|