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Music, pantomime and freedom in enlightenment France /

"This book explains the relationships between music, pantomime and freedom in pre-Revolutionary France. It argues that composers and performers recognized their agency when they attempted, from the 1730s through the end of the Old Regime, to revive a lost art called 'pantomime' for th...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Law, Hedy (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Woodbridge, Suffolk, UK : The Boydell Press, 2020.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Music, pantomime and freedom in enlightenment France /  |c Hedy Law. 
246 1 4 |a Music, pantomime & freedom in enlightenment France 
264 1 |a Woodbridge, Suffolk, UK :  |b The Boydell Press,  |c 2020. 
300 |a 1 online resource (xvii, 265 pages) :  |b music 
336 |a text  |b txt  |2 rdacontent 
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504 |a Includes bibliographical references and index. 
505 0 |a List of musical examples -- Preface -- Acknowledgements -- List of abbreviations -- Notes on text -- Introduction -- Chapter 1. Bacchic freedom -- Chapter 2. Freedom from an evil spell -- Chapter 3. Things that move -- Chapter 4. Things that walk -- Chapter 5. When humans dance like atoms -- Epilogue -- Select bibliography -- Index. 
520 |a "This book explains the relationships between music, pantomime and freedom in pre-Revolutionary France. It argues that composers and performers recognized their agency when they attempted, from the 1730s through the end of the Old Regime, to revive a lost art called 'pantomime' for their compositions. In musical settings of pantomimes in French operas and instrumental works, leading composers of the time - Rameau, Rousseau, Gluck, and Salieri - used pantomime as a type of expressive dance and acting style that marked an aesthetic rupture between Louis XIV's absolutist governance and the Enlightenment ideals of free expression. In musical settings of pantomime, these composers cultivated various forms of freedom theorized in Enlightenment writings : artistic freedom for the composer ; freedom as self-governance ; interpretive freedom for spectators ; freedom of action for performers ; and freedom from dance convention. Thus, pantomime was not only a dance genre ; it also functioned as an expressive medium for top performers and invited spectators to draw their own interpretative conclusions. Placing the cultural phenomenon of pantomime in the intellectual context of the Enlightenment, the book explains how composers helped develop thinking and feeling subjects in pre-Revolutionary France."--taken from back cover. 
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650 0 |a Music  |x Political aspects  |z France  |x History  |y 18th century. 
650 0 |a Pantomime  |x Political aspects  |z France  |x History  |y 18th century. 
650 0 |a Freedom of expression  |z France. 
650 0 |a Enlightenment  |z France  |x History  |y 18th century. 
650 6 |a Musique  |x Aspect politique  |z France  |x Histoire  |y 18e siècle. 
650 6 |a Pantomime  |x Aspect politique  |z France  |x Histoire  |y 18e siècle. 
650 6 |a Liberté d'expression  |z France. 
650 6 |a Siècle des Lumières  |z France  |x Histoire  |y 18e siècle. 
650 7 |a Classical music (c 1750 to c 1830)  |2 bicssc 
650 7 |a Modern history to 20th century: c 1700 to c 1900.  |2 bicssc 
650 7 |a French Revolution.  |2 bicssc 
650 7 |a MUSIC  |x Genres & Styles  |x Classical.  |2 bisacsh 
650 7 |a HISTORY  |x Modern  |x 18th Century.  |2 bisacsh 
650 7 |a Freedom of expression.  |2 fast  |0 (OCoLC)fst01200263 
650 7 |a Enlightenment.  |2 fast  |0 (OCoLC)fst00912527 
650 7 |a Music  |x Political aspects.  |2 fast  |0 (OCoLC)fst01030414 
651 7 |a France.  |2 fast  |0 (OCoLC)fst01204289 
648 7 |a 1700-1799  |2 fast 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
776 0 8 |i Print version:  |a LAW, HEDY.  |t Music, pantomime and freedom in enlightenment france.  |d [Place of publication not identified] BOYDELL Press, 2020  |z 178327560X  |w (OCoLC)1144118253 
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