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|a 020169310
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|a 1181834315
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|a 9781787449374
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|a 1787449378
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|a (OCoLC)1178765734
|z (OCoLC)1181834315
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|a 22573/ctv109fjkn
|b JSTOR
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|a e-fr---
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|a ML3917.F8
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|a MUS
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|a HIS
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|a UAMI
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|a Law, Hedy,
|e author.
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|a Music, pantomime and freedom in enlightenment France /
|c Hedy Law.
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|a Music, pantomime & freedom in enlightenment France
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|a Woodbridge, Suffolk, UK :
|b The Boydell Press,
|c 2020.
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|a 1 online resource (xvii, 265 pages) :
|b music
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Includes bibliographical references and index.
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|a List of musical examples -- Preface -- Acknowledgements -- List of abbreviations -- Notes on text -- Introduction -- Chapter 1. Bacchic freedom -- Chapter 2. Freedom from an evil spell -- Chapter 3. Things that move -- Chapter 4. Things that walk -- Chapter 5. When humans dance like atoms -- Epilogue -- Select bibliography -- Index.
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|a "This book explains the relationships between music, pantomime and freedom in pre-Revolutionary France. It argues that composers and performers recognized their agency when they attempted, from the 1730s through the end of the Old Regime, to revive a lost art called 'pantomime' for their compositions. In musical settings of pantomimes in French operas and instrumental works, leading composers of the time - Rameau, Rousseau, Gluck, and Salieri - used pantomime as a type of expressive dance and acting style that marked an aesthetic rupture between Louis XIV's absolutist governance and the Enlightenment ideals of free expression. In musical settings of pantomime, these composers cultivated various forms of freedom theorized in Enlightenment writings : artistic freedom for the composer ; freedom as self-governance ; interpretive freedom for spectators ; freedom of action for performers ; and freedom from dance convention. Thus, pantomime was not only a dance genre ; it also functioned as an expressive medium for top performers and invited spectators to draw their own interpretative conclusions. Placing the cultural phenomenon of pantomime in the intellectual context of the Enlightenment, the book explains how composers helped develop thinking and feeling subjects in pre-Revolutionary France."--taken from back cover.
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|a Print version record.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Music
|x Political aspects
|z France
|x History
|y 18th century.
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|a Pantomime
|x Political aspects
|z France
|x History
|y 18th century.
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|a Freedom of expression
|z France.
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|a Enlightenment
|z France
|x History
|y 18th century.
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|a Musique
|x Aspect politique
|z France
|x Histoire
|y 18e siècle.
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|a Pantomime
|x Aspect politique
|z France
|x Histoire
|y 18e siècle.
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|a Liberté d'expression
|z France.
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650 |
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|a Siècle des Lumières
|z France
|x Histoire
|y 18e siècle.
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650 |
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|a Classical music (c 1750 to c 1830)
|2 bicssc
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|a Modern history to 20th century: c 1700 to c 1900.
|2 bicssc
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|a French Revolution.
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|a MUSIC
|x Genres & Styles
|x Classical.
|2 bisacsh
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|a HISTORY
|x Modern
|x 18th Century.
|2 bisacsh
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|a Freedom of expression.
|2 fast
|0 (OCoLC)fst01200263
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|a Enlightenment.
|2 fast
|0 (OCoLC)fst00912527
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|a Music
|x Political aspects.
|2 fast
|0 (OCoLC)fst01030414
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|a France.
|2 fast
|0 (OCoLC)fst01204289
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|a 1700-1799
|2 fast
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|a History.
|2 fast
|0 (OCoLC)fst01411628
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|i Print version:
|a LAW, HEDY.
|t Music, pantomime and freedom in enlightenment france.
|d [Place of publication not identified] BOYDELL Press, 2020
|z 178327560X
|w (OCoLC)1144118253
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856 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv105bbp9
|z Texto completo
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|a Askews and Holts Library Services
|b ASKH
|n AH38691670
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|a ProQuest Ebook Central
|b EBLB
|n EBL6886773
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938 |
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|a EBSCOhost
|b EBSC
|n 2437460
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|a 92
|b IZTAP
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