Cargando…
Radical mainstream : independent film, video and television in Britain, 1974-90 /
Radical Mainstream examines independent film and video cultures in Britain in the 1970s and 1980s in the context of capitalism, patriarchy, racism, colonialism and homophobia. It explores how radical discourse can impact on dominant cultural forms such as television, using public sphere theories to...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bristol :
Intellect Books,
2020.
|
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Front Cover
- Half Title
- Title
- Copyright Page
- Contents
- Acknowledgements
- Introduction
- 1 Persuasion, Pleasure, Counterpublics
- Experience and Counterpublics
- Whatever Happened to Reality?
- Rhetoric, Persuasion and Pedagogy
- Desire and Pleasure
- 2 Counter-History in British Independent Film and Video
- Problems with the Past: On Radical Historiography
- Diggers, Levellers and Bertolt Brecht
- Work and Welfare: The Women's Movement in Britain
- Work and Welfare: The Women's Movement in Britain
- National Pasts, Heritage, Ethnicities and Television
- 3 The Independent Filmmakers' Association (1974-90)
- Whose Public? The IFA and the Annan Committee
- Reading Counterpublics: The IFA Newsletter and Other Publications
- Forming New Publics for Independent Film and Video
- Collective Bodies and Reading Publics
- 4 Counter-Television: Marc Karlin's For Memory
- The Image in Crisis: Testimonies and Witnesses
- Images Archived: Holocaust and the Strange Museum
- Images, Bodies, Communities
- Image-Publics and Counter-Television
- 5 Bodies, Voices and Counterpublics: Stuart Marshall's Bright Eyes
- Bodies as Images
- Moving Images: AIDS on Television in Britain
- The Witness's Voice
- Sound and Voice
- Signifying Practice and Counter-Television
- Conclusion
- References
- Index
- Back Cover