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JSTOR_on1176468300 |
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|a 9781789381931
|q (electronic bk.)
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|a 1789381932
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|z 9781789381924
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|b P47 2020
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|a 791.430941
|2 23
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|a UAMI
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|a Perry, Colin,
|d 1979-
|e author.
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|a Radical mainstream :
|b independent film, video and television in Britain, 1974-90 /
|c Colin Perry.
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|a Bristol :
|b Intellect Books,
|c 2020.
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300 |
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|a 1 online resource (1 volume) :
|b illustrations (black and white)
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|a text
|b txt
|2 rdacontent
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|a computer
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|a Print version record.
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|a Front Cover -- Half Title -- Title -- Copyright Page -- Contents -- Acknowledgements -- Introduction -- 1 Persuasion, Pleasure, Counterpublics -- Experience and Counterpublics -- Whatever Happened to Reality? -- Rhetoric, Persuasion and Pedagogy -- Desire and Pleasure -- 2 Counter-History in British Independent Film and Video -- Problems with the Past: On Radical Historiography -- Diggers, Levellers and Bertolt Brecht -- Work and Welfare: The Women's Movement in Britain -- Work and Welfare: The Women's Movement in Britain -- National Pasts, Heritage, Ethnicities and Television
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|a 3 The Independent Filmmakers' Association (1974-90) -- Whose Public? The IFA and the Annan Committee -- Reading Counterpublics: The IFA Newsletter and Other Publications -- Forming New Publics for Independent Film and Video -- Collective Bodies and Reading Publics -- 4 Counter-Television: Marc Karlin's For Memory -- The Image in Crisis: Testimonies and Witnesses -- Images Archived: Holocaust and the Strange Museum -- Images, Bodies, Communities -- Image-Publics and Counter-Television -- 5 Bodies, Voices and Counterpublics: Stuart Marshall's Bright Eyes -- Bodies as Images
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|a Moving Images: AIDS on Television in Britain -- The Witness's Voice -- Sound and Voice -- Signifying Practice and Counter-Television -- Conclusion -- References -- Index -- Back Cover
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|a Radical Mainstream examines independent film and video cultures in Britain in the 1970s and 1980s in the context of capitalism, patriarchy, racism, colonialism and homophobia. It explores how radical discourse can impact on dominant cultural forms such as television, using public sphere theories to examine relations between counterpublics and social change.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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650 |
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|a Independent films
|z Great Britain
|x History and criticism.
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|a Radicalism in motion pictures.
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650 |
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|a Films indépendants
|z Grande-Bretagne
|x Histoire et critique.
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650 |
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|a Radicalisme au cinéma.
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650 |
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7 |
|a Independent films
|2 fast
|0 (OCoLC)fst01738681
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650 |
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7 |
|a Radicalism in motion pictures
|2 fast
|0 (OCoLC)fst01938466
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651 |
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7 |
|a Great Britain
|2 fast
|0 (OCoLC)fst01204623
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650 |
|
7 |
|a ART / Film & Video
|2 bisacsh
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655 |
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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776 |
0 |
8 |
|i Print version:
|a Perry, Colin, 1979-
|t Radical mainstream.
|d Bristol : Intellect Books, 2020
|z 9781789381924
|w (OCoLC)1173502388
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856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv36xvvb5
|z Texto completo
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