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The nickel was for the movies : film in the novel from Pirandello to Puig /
The cinephobic novelist who complains to Fitzgerald's tycoon that he will never get the hang of scriptwriting probably wouldn't give a nickel for the movies. Yet with the invention of film, human perception was engaged in a more all-encompassing way than it ever had been by a single art fo...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | eBook |
| Idioma: | Inglés |
| Publicado: |
Berkeley :
University of California Press,
©1995.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 037 | |a 22573/cats2385863 |b JSTOR | ||
| 050 | 0 | 4 | |a PN3503 |b .M627 1995 |
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| 049 | |a UAMI | ||
| 100 | 1 | |a Moses, Gavriel. | |
| 245 | 1 | 4 | |a The nickel was for the movies : |b film in the novel from Pirandello to Puig / |c Gavriel Moses. |
| 260 | |a Berkeley : |b University of California Press, |c ©1995. | ||
| 300 | |a 1 online resource (xxi, 335 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (pages 303-315) and index. | ||
| 505 | 0 | 0 | |g Pt. 1. |t Pirandello: Man makes movies make man ; Icons unreal irony -- |g pt. 2. |t Nabokov: Memory unreals ; Albinus fake movies -- |g pt. 3. |t Film theory and literary genre: Film theory as narrative ; The film novel as literary genre -- |g pt. 4. The film novel: The Hollywood novel: Isherwood, "Infernal machine" ; Fitzgerald, "Dream made flesh" ; West, "The barber in Purdue" ; The eyes have to know: Moravia, "Ghost in the cave" ; Percy, "Monkey see, monkey do" ; You can't imagine: Puig, "Dark inside the movie house" ; Puig, "Lots of lovely, lovely films" -- |g pt. 5. |t Conclusion: The return of genre. |
| 520 | |a The cinephobic novelist who complains to Fitzgerald's tycoon that he will never get the hang of scriptwriting probably wouldn't give a nickel for the movies. Yet with the invention of film, human perception was engaged in a more all-encompassing way than it ever had been by a single art form. In this ambitious investigation of a previously undefined narrative genre, Gavriel Moses exposes and explores the film novel, a literary text in which cinema provides the thematic, formal, psychological, and philosophical center. | ||
| 520 | 8 | |a Through close readings of works by the major representatives of the genre - Pirandello, Nabokov, Isherwood, West, Fitzgerald, Moravia, Percy, and Puig - Moses develops a persuasive theory to account for the novels that exploit the central role film has acquired in human experience. | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Fiction |y 20th century |x History and criticism. | |
| 650 | 0 | |a Motion pictures in literature. | |
| 650 | 0 | |a French fiction |y 20th century |x History and criticism. | |
| 650 | 6 | |a Roman français |y 20e siècle |x Histoire et critique. | |
| 650 | 6 | |a Cinéma dans la littérature. | |
| 650 | 7 | |a PERFORMING ARTS / Film / General |2 bisacsh | |
| 650 | 7 | |a Fiction |2 fast | |
| 650 | 7 | |a Motion pictures in literature |2 fast | |
| 650 | 7 | |a Cinéma et littérature. |2 ram | |
| 650 | 7 | |a Cinéma |x Dans la littérature. |2 ram | |
| 650 | 7 | |a Roman |y 20e siècle |x Histoire et critique. |2 ram | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 653 | 0 | |a Fiction | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/jj.2392262 |z Texto completo |
| 938 | |a Internet Archive |b INAR |n nickelwasformovi0000mose | ||
| 994 | |a 92 |b IZTAP | ||