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Disaster cinema in historical perspective : mediations of the sublime /
'Disaster Cinema in Historical Perspective: Mediations of the Sublime is a genuine and original contribution to the fields of art history and cinema studies as well as to discussions on the concept of the sublime in the field of aesthetics. It is well-organized, well-informed, and lucidly writt...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
Amsterdam University Press,
2020.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Mathias, Nikita, |e author. | |
| 245 | 1 | 0 | |a Disaster cinema in historical perspective : |b mediations of the sublime / |c Nikita Mathias. |
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c 2020. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 588 | 0 | |a Vendor-supplied metadata. | |
| 505 | 0 | 0 | |t Frontmatter -- |t Table of Contents -- |t 1. Introduction -- |t 2. Starting Points -- |t 3. The Iconography of the Sublime -- |t 4. Mediating the Sublime -- |t 5. Cinema -- A Medium of the Sublime? -- |t 6. Disaster Cinema. A Historical Overview -- |t 7. The Sublime in Disaster Cinema -- |t Bibliography -- |t Index |
| 520 | |a 'Disaster Cinema in Historical Perspective: Mediations of the Sublime is a genuine and original contribution to the fields of art history and cinema studies as well as to discussions on the concept of the sublime in the field of aesthetics. It is well-organized, well-informed, and lucidly written and draws on an impressive body of empirical and theoretical materials. As importantly, it is critical and nuanced in its claims and assertions, leaving ample room for discussion and counter-argument.' (Ina Blom, University of Chicago, University of Oslo). | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Disaster films |x History and criticism. | |
| 650 | 6 | |a Films-catastrophes |x Histoire et critique. | |
| 650 | 7 | |a Theory of art. |2 bicssc | |
| 650 | 7 | |a History of art / art and design styles. |2 bicssc | |
| 650 | 7 | |a Films, cinema. |2 bicssc | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 7 | |a Disaster films |2 fast | |
| 653 | |a The sublime, disaster cinema, media history, art history. | ||
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv15d7zv1 |z Texto completo |
| 938 | |a Amsterdam University Press |b AUPA |n 9789048550005 | ||
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| 938 | |a De Gruyter |b DEGR |n 9789048550005 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL6313405 | ||
| 938 | |a EBSCOhost |b EBSC |n 2527383 | ||
| 994 | |a 92 |b IZTAP | ||