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Theater in the Middle East : between performance and politics /
The collected essays from noteworthy dramatists and scholars in this book represent new ways of understanding theater in the Middle East not as geographical but transcultural spaces of performance. What distinguishes this book from previous works is that it offers new analysis on a range of theatric...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London, UK ; New York, NY :
Anthem Press,
[2020]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Theater in the Middle East : |b between performance and politics / |c edited by Babak Rahimi. |
| 264 | 1 | |a London, UK ; |a New York, NY : |b Anthem Press, |c [2020] | |
| 300 | |a 1 online resource (xiv, 170 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a The collected essays from noteworthy dramatists and scholars in this book represent new ways of understanding theater in the Middle East not as geographical but transcultural spaces of performance. What distinguishes this book from previous works is that it offers new analysis on a range of theatrical practices across a region, by and large, ignored for its dramatic traditions and histories, and it does so by emphasizing diverse performances in changing socio-political contexts. | ||
| 588 | 0 | |a Online resource; title from digital title page (viewed on August 11, 2020). | |
| 505 | 0 | |a <P><span style="font-weight: 400;">Introduction, Babak Rahimi (University of California, San Diego); I. Pedagogy and Tradition; 1. Teaching Middle Eastern theatre: challenges, opportunities, and rewards, Michael Malek Najjar</span> <span style="font-weight: 400;">(University of Oregon); 2. Harem entertainers: female performers in Qajar courts, Rana Salimi</span> <span style="font-weight: 400;">(University of California, San Diego); 3. Nehad Selaiha and the Egyptian theatre, Marvin Carlson (The City University of New York); 4. The re-invention of tradition in Moroccan theatre: from postcolonial hybridity to women's empowerment, Khalid Amine (Abdelmalek Essaadi University, Tetouan, Morocco); II. Politics and Nation; 5. Artistic practice and production at the Jenin freedom theatre: the intersection of the personal and </span><span style="font-weight: 400;">the political, Gary M. English (University of Connecticut); 6. Domestic arts: Sigalit Landau, Emily Jacir, and Israel-Palestine, Shelley Salamensky (University of Louisville); 7. Radio drama by and about Syrian refugees: reimagining the nation on Souriali, Edward Ziter (NYU); 8. No demand no supply: documentary theatre transforming the mainstream media, Sahar Assaf (American University of Beirut).</span></p> | |
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| 650 | 0 | |a Theater |z Middle East |x History. | |
| 650 | 0 | |a Arabic drama |x History and criticism. | |
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| 651 | 7 | |a Middle East |2 fast |0 (OCoLC)fst01241586 | |
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| 655 | 7 | |a History |2 fast |0 (OCoLC)fst01411628 | |
| 700 | 1 | |a Rahimi, Babak, |e editor. | |
| 776 | 0 | 8 | |i Print version: |a Rahimi, Babak. |t Theater in the Middle East : Between Performance and Politics. |d London : Anthem Press, ©2020 |z 9781785274466 |
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