Cargando…
Sergei M. Eisenstein : notes for a general history of cinema /
One of the iconic figures of the twentieth-century cinema, Sergei Eisenstein is best known as the director of The Battleship Potemkin, Alexander Nevskii and Ivan the Terrible. His craft as director and film editor left a distinct mark on such key figures of the Western cinema as Nicolas Roeg, Franci...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | , , , , |
| Formato: | Software eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
Amsterdam University Press,
[2016]
|
| Colección: | Film theory in media history.
|
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Foreword / Naum Kleiman
- Cinema as "dynamic mummification," history as montage : Einstein's media archaeology / Antonio Somaini
- Notes for a general history of cinema / Sergei M. Eisenstein
- What renders Daumier's art so cinematic for Eisenstein? / Ada Ackerman
- "The heritage we renounce" : Eisenstein in historio-graphy / François Albera
- The Notes for a general history of cinema and the dialectic of the Eistensteinian image / Luka Arsenjuk
- Act now!, or For an untimely Eistenstein / Nico Baumbach
- Pathos and praxis (Eisenstein versus Barthes) / Georges Didi-Huberman
- Eisenstein's absolutely wonderful, totally impossible project / Jane Gaines
- Dynamic typicality / Abe Geil
- Archaeology vs. paleontology : a note on Eisenstein's Notes for a general history of cinema / Vinzenz Hediger
- Point
- pathos
- totality / Mikhail Iampolski
- Distant echoes / Arun Khopkar
- "Synthesis" of the arts or "friendly cooperation" between the arts? : the general history of cinema according to Eistenstein / Pietro Montani
- Eisenstein's mummy complex : temporality, trauma, and a distinction in Eisenstein's Notes for a general history of cinema / Philip Rosen
- Sergei Eisenstein and the Soviet models for the study of cinema, 1920s-1940s / Masha Salazkina and Natalie Ryabchikova.