Rabindranath Tagore's drama in the perspective of Indian theatre /

'Rabindranath Tagore's Drama in the Perspective of Indian Theatre' examines Tagore's plays from the viewpoint of Indian dramatic/performance traditions, locating him as a playwright, performer and director in the panoramic continuum of Indian dramatic/performance traditions.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Renganathan, Mala (Editor ), Bhattacharya, Arnab (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London : Anthem Press, [2020]
Temas:
Tagore, Rabindranath, > 1861-1941 > Criticism and interpretation.
Tagore, Rabindranath, > 1861-1941
Theater > India > History.
Théâtre > Inde > Histoire.
DRAMA > Asian > General.
Theater
India
Criticism, interpretation, etc.
History
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover
  • Front Matter
  • Half-title
  • Title page
  • Copyright information
  • Dedication
  • Table of Contents
  • The Understudied Dramatic Aesthetics of Rabindranath Tagore
  • Parts I-II
  • Part I The Dramatic Tradition
  • Chapter 1 Rabindranath Tagore: Imagining Nation, Imagining Theatre
  • I
  • II
  • III
  • IV
  • Notes
  • Chapter 2 Rabindrik- Nritya, Tagore's New Aesthetic for Indian Dramatic Art: Discourse and Practice
  • I
  • II
  • III
  • Notes
  • References
  • Chapter 3 Place and Space in Tagore's Raktakarabi and Muktadhara
  • I
  • II
  • III
  • IV
  • Notes
  • References
  • Chapter 4 Tagore's Artistic Rendering of Spiritual Realism in Dak Ghar
  • Notes
  • References
  • Chapter 5 Tagore and the Indian Tradition of Hasyarasa: A Study in Tagore's Shorter Humorous Plays
  • I
  • II
  • III
  • Notes
  • References
  • Chapter 6 The Comic Genius of Tagore: Interplay of Humour and Reality in Chirakumar Sabha
  • I
  • II
  • III
  • Notes
  • References
  • Part II Theatre/Performance Tradition
  • Chapter 7 The Unrealized Theatre of Tagore
  • I
  • II
  • III
  • IV
  • Notes
  • Chapter 8 Encounters and Exchanges: An Intercultural Interrogation of Rabindranath Tagore's Dramaturgy in Muktadhara
  • I
  • II
  • III
  • Notes
  • References
  • Chapter 9 Performing Chitrangada: From Tagore to Rituparno Ghosh
  • I
  • II
  • III
  • Notes
  • References
  • Chapter 10 Visarjan as Performance: A Road towards Ritual Healing
  • I
  • II
  • III
  • IV
  • Notes
  • References
  • Chapter 11 Valmiki Pratibha and Its Afterlife
  • I
  • II
  • III
  • Notes
  • References
  • Chapter 12 Postmodern Subversion and the Aesthetics of Film Adaptation: The Example of Tasher Desh
  • I
  • Theorizing adaptation studies
  • II
  • Adapting Tasher Desh
  • III
  • From Tagore's Tasher Desh to Q's Tasher Desh
  • IV
  • Notes
  • References
  • End Matter
  • Contributors
  • Index

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