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200716t20202020enka ob 001 0 eng d |
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|a N$T
|b eng
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|d JSTOR
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|a 9781785273957
|q (electronic bk.)
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|a 1785273957
|q (electronic bk.)
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|z 9781785273940
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|a (OCoLC)1165623744
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|b JSTOR
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|a 891.4424
|2 23
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|a UAMI
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|a Rabindranath Tagore's drama in the perspective of Indian theatre /
|c edited by Mala Renganathan and Arnab Bhattacharya.
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|a London :
|b Anthem Press,
|c [2020]
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|c ©2020
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|a 1 online resource (viii, 188 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
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|a Includes bibliographical references and index.
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|a Online resource; title from PDF title page (EBSCO, viewed July 17, 2020).
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|a Cover -- Front Matter -- Half-title -- Title page -- Copyright information -- Dedication -- Table of Contents -- The Understudied Dramatic Aesthetics of Rabindranath Tagore -- Parts I-II -- Part I The Dramatic Tradition -- Chapter 1 Rabindranath Tagore: Imagining Nation, Imagining Theatre -- I -- II -- III -- IV -- Notes -- Chapter 2 Rabindrik- Nritya, Tagore's New Aesthetic for Indian Dramatic Art: Discourse and Practice -- I -- II -- III -- Notes -- References -- Chapter 3 Place and Space in Tagore's Raktakarabi and Muktadhara -- I -- II -- III -- IV -- Notes -- References
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|a Chapter 4 Tagore's Artistic Rendering of Spiritual Realism in Dak Ghar -- Notes -- References -- Chapter 5 Tagore and the Indian Tradition of Hasyarasa: A Study in Tagore's Shorter Humorous Plays -- I -- II -- III -- Notes -- References -- Chapter 6 The Comic Genius of Tagore: Interplay of Humour and Reality in Chirakumar Sabha -- I -- II -- III -- Notes -- References -- Part II Theatre/Performance Tradition -- Chapter 7 The Unrealized Theatre of Tagore -- I -- II -- III -- IV -- Notes
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|a Chapter 8 Encounters and Exchanges: An Intercultural Interrogation of Rabindranath Tagore's Dramaturgy in Muktadhara -- I -- II -- III -- Notes -- References -- Chapter 9 Performing Chitrangada: From Tagore to Rituparno Ghosh -- I -- II -- III -- Notes -- References -- Chapter 10 Visarjan as Performance: A Road towards Ritual Healing -- I -- II -- III -- IV -- Notes -- References -- Chapter 11 Valmiki Pratibha and Its Afterlife -- I -- II -- III -- Notes -- References -- Chapter 12 Postmodern Subversion and the Aesthetics of Film Adaptation: The Example of Tasher Desh -- I
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|a Theorizing adaptation studies -- II -- Adapting Tasher Desh -- III -- From Tagore's Tasher Desh to Q's Tasher Desh -- IV -- Notes -- References -- End Matter -- Contributors -- Index
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|a 'Rabindranath Tagore's Drama in the Perspective of Indian Theatre' examines Tagore's plays from the viewpoint of Indian dramatic/performance traditions, locating him as a playwright, performer and director in the panoramic continuum of Indian dramatic/performance traditions.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a Tagore, Rabindranath,
|d 1861-1941
|x Criticism and interpretation.
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|a Tagore, Rabindranath,
|d 1861-1941
|2 fast
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|a Theater
|z India
|x History.
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|a Théâtre
|z Inde
|x Histoire.
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|a DRAMA
|x Asian
|x General.
|2 bisacsh
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|a Theater
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|a India
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|a Criticism, interpretation, etc.
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|a History
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|a Renganathan, Mala,
|e editor.
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|a Bhattacharya, Arnab,
|e editor.
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctvt9k5zq
|z Texto completo
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|a Askews and Holts Library Services
|b ASKH
|n AH37041679
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|a Askews and Holts Library Services
|b ASKH
|n AH37041678
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|a ProQuest Ebook Central
|b EBLB
|n EBL6262507
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|a EBSCOhost
|b EBSC
|n 2523882
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|a 92
|b IZTAP
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