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Figuring faith and female power in the art of Rubens /

This book argues that the Baroque painter, propagandist, and diplomat, Peter Paul Rubens, was not only aware of rapidly shifting religious and cultural attitudes toward women, but actively engaged in shaping them. Today, Rubens's paintings continue to be used-and abused-to prescribe and proscri...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Lyon, J. Vanessa (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam : Amsterdam University Press, [2020]
Colección:Visual and material culture, 1300-1700 ; 22.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Lyon, J. Vanessa,  |e author. 
245 1 0 |a Figuring faith and female power in the art of Rubens /  |c J. Vanessa Lyon. 
264 1 |a Amsterdam :  |b Amsterdam University Press,  |c [2020] 
300 |a 1 online resource (248 pages) :  |b illustrations 
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490 1 |a Visual and material culture, 1300-1700 ;  |v 22 
504 |a Includes bibliographical references and index. 
520 8 |a This book argues that the Baroque painter, propagandist, and diplomat, Peter Paul Rubens, was not only aware of rapidly shifting religious and cultural attitudes toward women, but actively engaged in shaping them. Today, Rubens's paintings continue to be used-and abused-to prescribe and proscribe certain forms of femininity. Repositioning some of the artist's best-known works within seventeenth-century Catholic theology and female court culture provides a feminist corrective to a body of art historical scholarship in which studies of gender and religion are often mutually exclusive. Moving chronologically through Rubens's lengthy career, the author shows that, in relation to the powerful women in his life, Rubens figured the female form as a transhistorical carrier of meaning whose devotional and rhetorical efficacy was heightened rather than diminished by notions of female difference and particularity. 
588 0 |a Online resource; title from digital title page (viewed on March 25, 2022). 
505 0 0 |t Frontmatter --  |t Table of Contents --  |t List of Illustrations --  |t Acknowledgements --  |t Prologue --  |t Introduction --  |t 1. Samson and Dilemma: Rubens Confronts the Woman on Top --  |t 2. Making Assumptions: Marian Tropes after Italy --  |t 3. Maria de' Medici and Isabel Clara Eugenia --  |t 4. Peace Embraces Plenty: Queering Female Virtue at Whitehall --  |t 5. All That Depends on Color: Feminizing Rubens in the Seventeenth Century --  |t Epilogue --  |t About the Author --  |t Index. 
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600 1 0 |a Rubens, Peter Paul,  |d 1577-1640  |x Criticism and interpretation. 
600 1 7 |a Rubens, Peter Paul,  |d 1577-1640  |2 fast  |0 (OCoLC)fst01759948 
650 0 |a Women in art. 
650 0 |a Human figure in art. 
650 6 |a Femmes dans l'art. 
650 6 |a Corps humain dans l'art. 
650 7 |a History of art and design styles: c 1400 to c 1600.  |2 bicssc 
650 7 |a Individual artists, art monographs.  |2 bicssc 
650 7 |a Human figures depicted in art.  |2 bicssc 
650 7 |a Christian aspects of sexuality, gender and relationships.  |2 bicssc 
650 7 |a Gender studies: women.  |2 bicssc 
650 7 |a ART  |x General.  |2 bisacsh 
650 7 |a Human figure in art  |2 fast  |0 (OCoLC)fst01896063 
650 7 |a Women in art  |2 fast  |0 (OCoLC)fst01177826 
653 |a Rubens, Counter Reformation, Gender, Baroque, Flemish art. 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
776 0 8 |i Print version:  |a Lyon, J Vanessa.  |t Figuring faith and female power in the art of Rubens.  |d Amsterdam : Amsterdam University Press 2020  |z 9789462985513  |w (OCoLC)1151897580 
830 0 |a Visual and material culture, 1300-1700 ;  |v 22. 
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