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Towards a political aesthetics of cinema : the outside of film /
Towards a Political Aesthetics of Cinema: The Outside of Film' is a contribution to an aesthetics of cinema rooted in Marxist theory. Rather than focusing on the role that certain films, or the cinema as an institution, might play in political consciousness, the book asks a different question:...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés Alemán |
| Publicado: |
Amsterdam :
Amsterdam University Press,
[2020]
|
| Colección: | Film culture in transition.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 020 | |a 9789048533985 |q (electronic bk.) | ||
| 020 | |a 9048533988 |q (electronic bk.) | ||
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| 082 | 0 | 4 | |a 791.43658 |2 23 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Lie, Sulgi, |e author. | |
| 240 | 1 | 0 | |a Außenseite des Films. |l English |
| 245 | 1 | 0 | |a Towards a political aesthetics of cinema : |b the outside of film / |c Sulgi Lie ; translated by Daniel Fairfax. |
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2020] | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Film culture in transition | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | 8 | |a Towards a Political Aesthetics of Cinema: The Outside of Film' is a contribution to an aesthetics of cinema rooted in Marxist theory. Rather than focusing on the role that certain films, or the cinema as an institution, might play in political consciousness, the book asks a different question: how can the subject of politics in film be thought? This problem is presented in a systematic-theoretical rather than historical manner. The main aim of this book is a retrospective film theoretical rehabilitation of the psychoanalytical concept of "suture," whose political core is progressively revealed. In a second step, this rereading of ''suture''-theory is mediated with the Marxist aesthetics of Fredric Jameson. From the perspective of this reconfigured aesthetics of negativity, films by Hitchcock, Antonioni, Haneke and Kubrick are analyzed as articulations of a political unconscious | |
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed July 15, 2020). | |
| 505 | 0 | 0 | |t Frontmatter -- |t Table of Contents -- |t New Preface to the English Edition -- |t Preface -- |t Introduction -- |t 1. On Enunciation in Apparatus Theory -- |t 2. On Enunciation without an Enunciator: Suture -- |t 3. On the Pragmatics of Enunciation -- |t 4. On the Acousmatics of Enunciation: Back to the Suture -- |t 5. The Political Uncanny, or the Return of the Repressed: Caché -- |t Introduction -- |t 6. The Dialectics of Mass Culture -- |t 7. Cartographies of the Postmodern -- |t 8. Geopolitical Aesthetics -- |t 9. The Political Uncanny, or the Return of Domination: The Shining -- |t Filmography -- |t Bibliography -- |t Index of Names |
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 600 | 1 | 0 | |a Jameson, Fredric |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Jameson, Fredric |2 fast |0 (OCoLC)fst00043725 |
| 650 | 0 | |a Politics in motion pictures. | |
| 650 | 0 | |a Motion pictures |x Aesthetics. | |
| 650 | 0 | |a Motion pictures |x Political aspects. | |
| 650 | 0 | |a Communist aesthetics. | |
| 650 | 0 | |a Communists in motion pictures. | |
| 650 | 6 | |a Politique au cinéma. | |
| 650 | 6 | |a Cinéma |x Esthétique. | |
| 650 | 6 | |a Esthétique communiste. | |
| 650 | 7 | |a Film theory and criticism. |2 bicssc | |
| 650 | 7 | |a Media studies. |2 bicssc | |
| 650 | 7 | |a Political science and theory. |2 bicssc | |
| 650 | 7 | |a Marxism and Communism. |2 bicssc | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 7 | |a Communist aesthetics |2 fast |0 (OCoLC)fst00870550 | |
| 650 | 7 | |a Communists in motion pictures |2 fast |0 (OCoLC)fst00870628 | |
| 650 | 7 | |a Motion pictures |x Aesthetics |2 fast |0 (OCoLC)fst01027288 | |
| 650 | 7 | |a Motion pictures |x Political aspects |2 fast |0 (OCoLC)fst01027353 | |
| 650 | 7 | |a Politics in motion pictures |2 fast |0 (OCoLC)fst01896085 | |
| 653 | |a Film Theory, Aesthetics, Politics, Psychoanalysis, Marxism,. | ||
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 700 | 1 | |a Fairfax, Daniel, |e translator. | |
| 830 | 0 | |a Film culture in transition. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv15d7zzk |z Texto completo |
| 938 | |a Amsterdam University Press |b AUPA |n 9789048533985 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH37585645 | ||
| 938 | |a De Gruyter |b DEGR |n 9789048533985 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL6313406 | ||
| 938 | |a EBSCOhost |b EBSC |n 2521526 | ||
| 994 | |a 92 |b IZTAP | ||