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Fanvids : television, women, and home media re-use /
Fanvids, or vids, are short videos created in media fandom. Made from television and film sources, they are neither television episodes nor films; they resemble music videos but are non-commercial fanworks that construct creative and critical analyses of existing media. The creators of fanvids - cal...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
Amsterdam University Press,
[2020]
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| Colección: | Transmedia (Amsterdam, Netherlands)
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Stevens, E. Charlotte, |e author. | |
| 245 | 1 | 0 | |a Fanvids : |b television, women, and home media re-use / |c E. Charlotte Stevens. |
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2020] | |
| 300 | |a 1 online resource | ||
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| 490 | 1 | |a Transmedia: participatory culture and media convergence | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | 8 | |a Fanvids, or vids, are short videos created in media fandom. Made from television and film sources, they are neither television episodes nor films; they resemble music videos but are non-commercial fanworks that construct creative and critical analyses of existing media. The creators of fanvids - called vidders - are predominantly women, whose vids prompt questions about media historiography and pleasures taken from screen media. Vids remake narratives for an attentive fan audience, who watch with a deep knowledge of the source text(s), or an interest in the vid form itself. 0'Fanvids: Television, Women, and Home Media Re-Use' draws on four decades of vids, produced on videotape and digitally, to argue that the vid form's creation and reception reveals a mode of engaged spectatorship that counters academic histories of media audiences and technologies. Vids offer an answer to the prevalent questions, What happens to television after it's been aired? How and by whom is it used and shared? Is it still television? | |
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed July 15, 2020). | |
| 505 | 0 | 0 | |t Frontmatter -- |t Table of Contents -- |t Acknowledgements -- |t Introduction -- |t 1 Critical Contexts: Television Studies, Fandom Studies, and the Vid -- |t 2 Approach: How to Study a Vid -- |t 3 Proximate Forms and Sites of Encounter : Music Video and Experimental Tradition -- |t 4 Textures of Fascination: Archives, Vids, and Vernacular Historiography -- |t 5 Critical Spectatorship and Spectacle: Multifandom Vids -- |t 6 Adapting Starbuck: Dualbunny's Battlestar Galactica Trilogy -- |t Conclusion -- |t References -- |t Index |
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| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 650 | 0 | |a Fan films. | |
| 650 | 0 | |a Television programs. | |
| 650 | 6 | |a Émissions télévisées. | |
| 650 | 7 | |a television programs. |2 aat | |
| 650 | 7 | |a Media studies. |2 bicssc | |
| 650 | 7 | |a TV and society. |2 bicssc | |
| 650 | 7 | |a Gender studies: women. |2 bicssc | |
| 650 | 7 | |a SOCIAL SCIENCE |x Media Studies. |2 bisacsh | |
| 650 | 7 | |a Fan films |2 fast | |
| 650 | 7 | |a Television programs |2 fast | |
| 653 | |a Television, fandom, fanvids, history, women. | ||
| 830 | 0 | |a Transmedia (Amsterdam, Netherlands) | |
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