Dialectics without synthesis Japanese film theory and realism in a global frame /

Dialectics without Synthesis explores Japan's active but previously unrecognized participation in the global circulation of film theory during the first half of the twentieth century. Examining a variety of Japanese theorists working in the fields of film, literature, avant-garde art, Marxism,...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Yamamoto, Naoki, 1977- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Oakland, California University of California Press [2020]
Temas:
1900-1999
Motion pictures > Japan > Philosophy > History > 20th century.
Film criticism > Japan > History > 20th century.
Motion pictures > Japan > Aesthetics > History > 20th century.
Cinéma > Japon > Philosophie > Histoire > 20e siècle.
Critique cinématographique > Japon > Histoire > 20e siècle.
Cinéma > Japon > Esthétique > Histoire > 20e siècle.
PERFORMING ARTS > Film & Video > History & Criticism.
Film criticism
Motion pictures > Aesthetics
Motion pictures > Philosophy
Japan
History
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction : realism, film theory, Japanese cinema
  • Naturalism and the modernization of Japanese cinema
  • Machine aesthetics and proletarian realism
  • Literary adaptation and textual realism
  • Documentary film and epistemological realism
  • The neglected tradition of Bergsonism and phenomenology
  • Epilogue : Hanada Kiyoteru and postwar debates

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