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Dialectics without synthesis Japanese film theory and realism in a global frame /
Dialectics without Synthesis explores Japan's active but previously unrecognized participation in the global circulation of film theory during the first half of the twentieth century. Examining a variety of Japanese theorists working in the fields of film, literature, avant-garde art, Marxism,...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Oakland, California
University of California Press
[2020]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Yamamoto, Naoki, |d 1977- |e author. | |
| 245 | 1 | 0 | |a Dialectics without synthesis |b Japanese film theory and realism in a global frame / |c Naoki Yamamoto. |
| 264 | 1 | |a Oakland, California |b University of California Press |c [2020] | |
| 264 | 4 | |c ©2020 | |
| 300 | |a 1 online resource (xiii, 233 pages) |b illustrations | ||
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| 520 | |a Dialectics without Synthesis explores Japan's active but previously unrecognized participation in the global circulation of film theory during the first half of the twentieth century. Examining a variety of Japanese theorists working in the fields of film, literature, avant-garde art, Marxism, and philosophy, Naoki Yamamoto offers a new approach to cinematic realism as culturally conditioned articulations of the shifting relationship of film to the experience of modernity. In this study, long-held oppositions between realism and modernism, universalism and particularism, and most notably, the | ||
| 504 | |a Includes bibliographical references and index | ||
| 505 | 0 | |a Introduction : realism, film theory, Japanese cinema -- Naturalism and the modernization of Japanese cinema -- Machine aesthetics and proletarian realism -- Literary adaptation and textual realism -- Documentary film and epistemological realism -- The neglected tradition of Bergsonism and phenomenology -- Epilogue : Hanada Kiyoteru and postwar debates | |
| 546 | |a In English. | ||
| 588 | 0 | |a Print version record | |
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| 650 | 0 | |a Motion pictures |z Japan |x Philosophy |x History |y 20th century. | |
| 650 | 0 | |a Film criticism |z Japan |x History |y 20th century. | |
| 650 | 0 | |a Motion pictures |z Japan |x Aesthetics |x History |y 20th century. | |
| 650 | 6 | |a Cinéma |z Japon |x Philosophie |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Critique cinématographique |z Japon |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Cinéma |z Japon |x Esthétique |x Histoire |y 20e siècle. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Film criticism |2 fast |0 (OCoLC)fst00924259 | |
| 650 | 7 | |a Motion pictures |x Aesthetics |2 fast |0 (OCoLC)fst01027288 | |
| 650 | 7 | |a Motion pictures |x Philosophy |2 fast |0 (OCoLC)fst01027348 | |
| 651 | 7 | |a Japan |2 fast |0 (OCoLC)fst01204082 | |
| 648 | 7 | |a 1900-1999 |2 fast | |
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| 776 | 0 | 8 | |i Print version: |a Yamamoto, Naoki, 1977- |t Dialectics without synthesis. |d Oakland, California : University of California Press, [2020] |z 9780520351790 |w (DLC) 2020010082 |w (OCoLC)1142887574 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1503gpx |z Texto completo |
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