Music scenes and migrations : space and transnationalism in Brazil, Portugal and the Atlantic /

'Music Scenes and Migrations' brings together new work from Brazilian and European scholars around the themes of musical place and transnationalism across the Atlantic triangle connecting Brazil, Africa and Europe, with particular attention to the role of the city in producing, signifying...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Treece, Dave (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London, UK : Anthem Press, 2020.
Colección:Anthem Brazilian studies
Temas:
Music and transnationalism.
Music > Portuguese-speaking countries > History and criticism.
Postcolonialism and music.
Musique et transnationalisme.
Musique > Lusophonie > Histoire et critique.
Postcolonialisme et musique.
MUSIC > Ethnic.
Music
Music and transnationalism
Postcolonialism and music
Portuguese-speaking countries
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover
  • Half Title
  • Title Page
  • Copyright Page
  • Contents
  • Illustrations
  • Acknowledgements
  • Introduction
  • Structure
  • Part 1 Colonial and postcolonial transnationalisms, migrations and diasporas
  • Chapter 1 THE CIMBOA AND CAPE VERDEAN TRANSCULTURAL HERITAGE
  • The Cimboa: Fulbe Heritage?
  • Mano Mendi and Pascoal Fernandes
  • The Cimboa in Brazil: Gentil do Orocongo
  • Discography
  • Filmography
  • Chapter 2 LUNDUS, STREET ORGANS, MUSIC BOXES AND THE 'CACHUCHA': EARLY NINETEENTH-CENTURY TRANSATLANTIC CROSSINGS BETWEEN EUROPE AND RIO DE JANEIRO
  • Introduction: from 'Noise' to Music
  • Written Transmission of the Cachucha
  • Fanny Elssler's Cachucha
  • The Cachucha in Brazil
  • Written and Oral Transmission: Sheet Music, Manuscripts and Songbooks
  • Spanish Variants of the Cachucha
  • Maria Cachucha in Portugal and Brazil
  • Oral and Aural/Audile transmission: 'Maria Cachucha' and 'Lá no largo da Sé'
  • The Cachucha in Street Organs and Music Boxes
  • Conclusion: Implications for the History of Recorded Music in Brazil
  • Chapter 3 MÚSICA CAIPIRA AND ROOTING
  • Cornélio Pires
  • Sound Recording and Radio
  • Musicalities, Playing Styles, Hybridities
  • Rooting, Singing Histories, New Times
  • Chapter 4 LUSOFONIA AS INTERVENTION: POSTCOLONIAL INTERCULTURAL TRAFFIC IN LUSOPHONE HIP HOP EVENTS
  • Introduction
  • Rápublica and Lisboa 94
  • Tejo Beat and Expo'98
  • Lusofonia, a (R)evolução
  • Lusophone Hip Hop Festivals
  • Collaborations between Lusophone Hip Hop Musicians
  • Versos que atravessam o Atlântico (2013)
  • Um brinde à amizade (2012)
  • Mussulo (2014)
  • Argument and Conclusion
  • Discography
  • Chapter 5 'A PIECE OF BRAZIL IN LISBON': BRAZILIAN MUSICAL PRACTICES IN THE PORTUGUESE CAPITAL
  • Chapter 6 'CALENTANDO LA CIUDAD': INTIMACY AND COSMOPOLITANISM AMONG BRAZILIAN MUSICIANS IN MADRID
  • Brazilian Music in the City of Fun
  • Intimacy, Cosmopolitanism and Cultural Diversity
  • Playing a Bit of Everything: Brazilian Carnival in Madrid
  • Conclusion
  • Discography
  • Part 2 Relocating Rio de Janeiro
  • Chapter 7 SAMBA, ITS PLACES AND ITS CITY
  • Chapter 8 BETWEEN TEMPLE YARDS AND HILLSIDES: RIO DE JANEIRO'S SAMBA, ITS SPACES, HUMOUR AND IDENTITY
  • Chapter 9 THE CONSTRUCTION OF A CANONICAL SPACE FOR SAMBA AND CHORO WITHIN THE BRAZILIAN SOCIAL IMAGINARY
  • Introduction
  • Samba, Choro and the Lapa Neighbourhood: A Brief Historical Overview
  • Samba, Choro and Memory within a Globalized World: The Lapa Cultural Circuit as a Benchmark for 'Local' and 'Quality' Musical Expression
  • 'Inner' Strategies and Narratives of Legitimation
  • The Reinforcement of Legitimacy by Specialist/Academic/Informative Narratives
  • The Reassignment of Meaning by the Consumer Market
  • Conclusion
  • Chapter 10 THE NATIONAL ARTS FOUNDATION AND THE MONUMENTALIZATION OF RIO DE JANEIRO'S POPULAR MUSIC AS NATIONAL HERITAGE

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