Cargando…

Sounds from the other side : Afro-South Asian collaborations in black popular music /

"A sixty-year history of Afro-South Asian musical collaborations"--

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Powell, Elliott H. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Minneapolis, MN : University of Minnesota Press, [2020]
Temas:
Acceso en línea:Texto completo

MARC

LEADER 00000cam a2200000 i 4500
001 JSTOR_on1162519096
003 OCoLC
005 20231005004200.0
006 m o d
007 cr unu||||||||
008 200506s2020 mnua ob 001 0 eng
010 |a  2020020774 
040 |a DLC  |b eng  |e rda  |e pn  |c DLC  |d OCLCO  |d OCLCF  |d OCLCO  |d YDX  |d N$T  |d EBLCP  |d YDX  |d JSTOR  |d WTU  |d OCLCO  |d ZCU  |d CNO  |d WAU  |d LUN  |d ORU  |d P@U  |d OCLCQ  |d OCLCO  |d OCL  |d FAU  |d OCLCO  |d OCLCQ  |d DLC  |d OCLCO 
019 |a 1238757296 
020 |a 9781452964423  |q (electronic book) 
020 |a 1452964424  |q (electronic book) 
020 |a 9781452964416  |q (electronic book) 
020 |a 1452964416  |q (electronic book) 
020 |a 1517910048 
020 |a 9781517910044 
020 |z 9781517910037  |q (hardcover) 
020 |z 9781517910044  |q (paperback) 
029 1 |a AU@  |b 000067311793 
029 1 |a AU@  |b 000069079543 
035 |a (OCoLC)1162519096  |z (OCoLC)1238757296 
037 |a 22573/ctv19bhfrh  |b JSTOR 
042 |a pcc 
043 |a n-us--- 
050 0 0 |a ML3479  |b .P7 2020 
072 7 |a MUS  |x 020000  |2 bisacsh 
072 7 |a MUS  |x 025000  |2 bisacsh 
072 7 |a SOC  |x 008020  |2 bisacsh 
082 0 0 |a 780.89/96073  |2 23 
049 |a UAMI 
100 1 |a Powell, Elliott H.,  |e author. 
245 1 0 |a Sounds from the other side :  |b Afro-South Asian collaborations in black popular music /  |c Elliott H. Powell. 
264 1 |a Minneapolis, MN :  |b University of Minnesota Press,  |c [2020] 
264 4 |c ©2020 
300 |a 1 online resource (192 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b n  |2 rdamedia 
338 |a online resource  |b nc  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
505 0 0 |t A Desi Love Supreme : John Coltrane, James Baldwin, and the Life Side of Afro-South Asian Music --  |t Corner Politics : The Queer and South Asian Coalitional Black Politics of Miles Davis --  |t Punks, Freaks, OutKasts, and ATLiens : The Afro-South Asian Imaginings of Rick James and André 3000 --  |t Recovering Addict(ive) : The Afro-South Asian Sexual Politics of Truth Hurts's "Addictive" --  |t Do(ing) Something Different : Cross-Cultural Collaboration in the Work of Timbaland and Rajé Shwari. 
520 |a "A sixty-year history of Afro-South Asian musical collaborations"--  |c Provided by publisher 
520 |a "From Beyoncé's South Asian music-inspired Super Bowl Halftime performance, to jazz artists like John and Alice Coltrane's use of Indian song structures and spirituality in their work, to Jay-Z and Missy Elliott's high-profile collaborations with diasporic South Asian artists such as the Panjabi MC and MIA, African American musicians have frequently engaged South Asian cultural productions in the development of Black music culture. Sounds from the Other Side traces such engagements through an interdisciplinary analysis of the political implications of African American musicians' South Asian influence since the 1960s. Elliott H. Powell asks, what happens when we consider Black musicians' South Asian sonic explorations as distinct from those of their white counterparts? He looks to Black musical genres of jazz, funk, and hip hop and examines the work of Miles Davis, John Coltrane, Rick James, OutKast, Timbaland, Beyoncé, and others, showing how Afro-South Asian music in the United States is a dynamic, complex, and contradictory cultural site where comparative racialization, transformative gender and queer politics, and coalition politics intertwine. Powell situates this cultural history within larger global and domestic sociohistorical junctures that link African American and South Asian diasporic communities in the United States. The long historical arc of Afro-South Asian music in Sounds from the Other Side interprets such music-making activities as highly political endeavors, offering an essential conversation about cross-cultural musical exchanges between racially marginalized musicians"--Abstract provided by publisher 
588 0 |a Online resource; title from digital title page (viewed on November 18, 2020). 
590 |a JSTOR  |b Books at JSTOR Open Access 
590 |a JSTOR  |b Books at JSTOR All Purchased 
650 0 |a African Americans  |x Music  |x History and criticism. 
650 0 |a Popular music  |z United States  |x South Asian influences. 
650 0 |a Popular music  |z United States  |x History and criticism. 
650 6 |a Musique populaire  |z États-Unis  |x Histoire et critique. 
650 7 |a MUSIC  |x History & Criticism.  |2 bisacsh 
650 7 |a African Americans  |x Music  |2 fast 
650 7 |a Popular music  |2 fast 
650 7 |a Popular music  |x South Asian influences  |2 fast 
651 7 |a United States  |2 fast 
655 7 |a Music criticism and reviews  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
655 7 |a Music criticism and reviews.  |2 lcgft 
655 7 |a Comptes rendus de musique.  |2 rvmgf 
776 0 8 |i Print version:  |a Powell, Elliott H.  |t Sounds from the other side.  |d Minneapolis : University of Minnesota Press, 2020  |z 9781517910037  |w (DLC) 2020020773 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.5749/j.ctv19cw9tz  |z Texto completo 
938 |a ProQuest Ebook Central  |b EBLB  |n EBL6385926 
938 |a EBSCOhost  |b EBSC  |n 2666933 
938 |a Project MUSE  |b MUSE  |n muse85821 
938 |a YBP Library Services  |b YANK  |n 301727744 
994 |a 92  |b IZTAP