When Sunday comes : gospel music in the soul and hip-hop eras /

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"Gospel music evolved in often surprising directions during the post-Civil Rights era. Claudrena N. Harold's in-depth look at late-century gospel focuses on musicians like Yolanda Adams, Andraé Crouch, the Clark Sisters, Al Green, Take 6, and the Winans, and on the network of black record...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Harold, Claudrena N. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Urbana : University of Illinois Press, [2020]
Colección:Music in American life.
Temas:
1900-1999
Gospel music > 20th century > History and criticism.
African Americans > Music > History and criticism.
Gospel > 20e siècle > Histoire et critique.
MUSIC / General
African Americans > Music
Gospel music
Electronic books.
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Lord Let Me Be an Instrument : The Artistry and Cultural Politics of Reverend James Cleveland
  • A Special Kind of Witness : Andraé Crouch, the Growth of Contemporary Christian Music, and the Politics of Race 2
  • Hold My Mule : Shirley Caesar and the Gospel of the New South
  • A Wonderful Change : Walter Hawkins and the Love Alive Explosion
  • Higher Plane : The Gospel According to Al Green
  • The Only Thing Right Left in a Wrong World: The Clark Sisters, the Winans, Commissioned, and the Search for Cultural Authority in the 1980s
  • If I Be Lifted : Milton Brunson and the Thompson Community Singers
  • Through It All : Vanessa Bell Armstrong and the Perils of Crossover
  • Hold Up the Light : The Crossover Success of BeBe and CeCe Winans
  • Outside the County Line : The Southern Soul of John P. Kee
  • We Are the Drum : Take 6, the Sounds of Blackness, and the New Black Aesthetic
  • Epilogue. Do You Want a Revolution? Kirk Franklin, Yolanda Adams, and the Beginning of a New Era in Gospel Music.

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