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There is no soundtrack : rethinking art, media, and the audio-visual contract /
There is no soundtrack amplifies new and radical audio-visual relationships in experimental media art. It addresses the lack of diversity in the study of art, media and sound through careful audition of marginalised voices that speak of race, gender, sexuality, indigeneity, colonialism, nationalism,...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Manchester :
Manchester University Press,
2020.
|
| Colección: | Rethinking art's histories
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Ma, Ming-Yuen S., |e author. | |
| 245 | 1 | 0 | |a There is no soundtrack : |b rethinking art, media, and the audio-visual contract / |c Ming-Yuen S. Ma. |
| 264 | 1 | |a Manchester : |b Manchester University Press, |c 2020. | |
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| 490 | 0 | |a Rethinking art's histories | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO; viewed June 26, 2020) | |
| 520 | |a There is no soundtrack amplifies new and radical audio-visual relationships in experimental media art. It addresses the lack of diversity in the study of art, media and sound through careful audition of marginalised voices that speak of race, gender, sexuality, indigeneity, colonialism, nationalism, violence and the politics of space. | ||
| 505 | 0 | |a Prologue : film without images -- Introduction : rethinking the audio-visual contract -- Radical otherness : voiceover, autoethnography, performativity -- History, noise, violence : Christian Marclay's Guitar Drag -- Media soundscapes : listening to installation and performance -- Sounding a politics of place : acoustic communities, aesthetic colonization, and sound imperialism -- Epilogue : notes on acoustic time. | |
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| 650 | 0 | |a Art, Modern |y 21st century. | |
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| 650 | 6 | |a Musique et technologie. | |
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| 650 | 6 | |a Art |y 21e siècle. | |
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