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Race and performance after repetition /
"RACE AND PERFORMANCE AFTER REPETITION considers the various and complex temporalities of both performance and racial aesthetics. Editors Soyica Colbert, Douglas Jones, and Shane Vogel note that performance studies has long relied on a dominant concept of repetition. Taking inspiration from Jos...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
2020.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Race and performance after repetition / |c Soyica Diggs Colbert, Douglas A. Jones, and Shane Vogel, editors. |
| 264 | 1 | |a Durham : |b Duke University Press, |c 2020. | |
| 264 | 4 | |c ©2020 | |
| 300 | |a 1 online resource (ix, 333 pages) : |b illustrations | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction: Tidying up after repetition / Soyica Colbert, Douglas Jones, and Shane Vogel -- So far down you can't see the light : Afrofabulation in Branden Jacob-Jenkins's An octoroon / Tavia Nyong'o -- The performance and politics of concurrent temporalities in George C. Wolfe's Shuffle along / Catherine M. Young -- A sonic treatise of futurity : Universes' Party people / Patricia Herrera -- Joe Louis's utopic glitch / Tina Post -- Sorrow's swing / Jasmine Johnson -- Parabolic moves : time, narrative, and difference in New Circus / Katherine Zien -- Choreographing time travel : rethinking ritual through Korean diasporic performance / Elizabeth W. Son -- Carceral space-times and The house that Herman built / Nicholas Fesette -- Performance interventions : natality and carceral feminism in contemporary India / Jisha Menon -- Witnessing queer flights : Josué Azor's Lougawou images and anti-homosexual unrest in Haiti / Mario LaMothe -- The body is never given, nor do we actually see it / Joshua Chambers-Letson. | |
| 520 | |a "RACE AND PERFORMANCE AFTER REPETITION considers the various and complex temporalities of both performance and racial aesthetics. Editors Soyica Colbert, Douglas Jones, and Shane Vogel note that performance studies has long relied on a dominant concept of repetition. Taking inspiration from José Esteban Muñoz's work, the contributors to the collection argue that minoritarian life schedules and cultural productions alike actually exist in multiple temporalities. They take up the work of non-white artists and communities to center temporal tropes that relate to, but diverge from, repetition. Theorizing raced time through time signatures, this collection proposes a spectrum of coexisting racial temporalities. The contributions are divided into three parts, the first of which focuses on the temporality of race, history, and form in theater. For example, Patricia Herrera explores the loop in UNIVERSES' production Party People (2016), which samples speeches by the Black Panthers and Young Lords, as a sonic treatise of futurity. The chapters in Part II consider how gesture, dance, and movement can recalibrate the temporal narratives of racial subjection. For example, Tina Post considers narrative tropes of animal and mechanical movement in reporters' stories about boxer Joe Louis. Katherine Zien examines Cuisine et Confessions (2014)- a "cultural circus" in which performers cook onstage, talk about their intimate lives, and perform high-risk circus feats-to show that arcs of time and space allow minoritarian identities to emerge in performance on their own time. The chapters in the Part III each take up what music misleadingly names the rest-an interval or pause of silence. The authors in this section consider the agency, critique, and hope that percolate in such stasis, such as Jisha Menon's focus in Chapter 10 on feminist natality as an alternative to punitive measures of liberal legality in Indian sexual violence cases"-- |c Provided by publisher | ||
| 588 | 0 | |a Online resource; title from digital title page (viewed on August 24, 2020). | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified]: |c HathiTrust Digital Library. |d 2021. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 546 | |a In English. | ||
| 583 | 1 | |a digitized |c 2021. |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Performing arts |x Social aspects |z United States. | |
| 650 | 0 | |a Time |x Social aspects |z United States. | |
| 650 | 0 | |a Performing arts |x Political aspects |z United States. | |
| 650 | 0 | |a Racism and the arts |z United States. | |
| 650 | 0 | |a Racism in popular culture |z United States. | |
| 650 | 0 | |a Arts and society |z United States. | |
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| 650 | 0 | |a Politics and culture |z United States. | |
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| 650 | 6 | |a Théâtre et société |z États-Unis. | |
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| 650 | 7 | |a Performing arts |x Social aspects |z United States. |2 nli | |
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| 650 | 7 | |a Arts and society |z United States. |2 nli | |
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| 700 | 1 | |a Colbert, Soyica Diggs, |d 1979- |e editor. | |
| 700 | 1 | |a Jones, Douglas A., |e editor. | |
| 700 | 1 | |a Vogel, Shane, |e editor. | |
| 776 | 0 | 8 | |i Print version: |t Race and performance after repetition. |d Durham : Duke University Press, 2020 |z 9781478007807 |w (DLC) 2019055647 |w (OCoLC)1133277835 |
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