Blooming spaces : the collected poetry, prose, critical writing, and letters of Debora Vogel /

"Debora Vogel (1900-1942) wrote in Yiddish unlike anyone else. Yiddish, her fourth language after Polish, Hebrew, and German, became the central vehicle for her modernist experiments in poetry and prose. This ground-breaking collection presents the work of a strikingly original yet overlooked a...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Fogel, Devorah (Autor)
Otros Autores: Lyubas, Anastasiya, 1989- (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Yiddish
Publicado: Boston : Academic Studies Press, 2020.
Colección:Jews of Poland
Temas:
Fogel, Devorah > Criticism and interpretation.
LITERARY CRITICISM / Comparative Literature
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Intro
  • Contents
  • Acknowledgements
  • Debora Vogel's Blooming Spaces: An Introduction
  • The Transformation of Form: Essayistic Art
  • Essays on Literature and Poetics
  • White Words in Poetry (1931)
  • The First Yiddish Poets (1936)
  • Stasis, Dynamism, and Topicality in Art (1936)
  • The Romance of Dialectics (1935)
  • Montage as a Literary Genre (1937)
  • Literary Montage: An Introduction (1938)
  • Essays on Art, Artists, and the Applied Arts
  • Theme and Form in Chagall's Art: An Aesthetic Critique (1929/1930)
  • The Genealogy of Photomontage and its Possibilities (1934)
  • On Abstract Art (1934)
  • Henryk Streng, a Constructivist Painter (1937)
  • The Dwelling in Its Psychic and Social Functions (1932)
  • The Legend of Contemporaneity in Children's Literature: Fragments (1934)
  • Essays on Socio-Critical Issues
  • Courage in Solitude (1930)
  • Exoticized People (1934)
  • Lviv Jewry: A Précis for a Monograph about the Jewish Quarter in Lviv (1935/1937)
  • A Few Remarks on the Contemporary Intellectual Elite (1936)
  • "An Attempt at a New Style": Poetry
  • Selections from Day Figures (1930)
  • Preface to the Day Figures Collection1
  • Rectangles (1924)
  • Houses and Streets (1926)
  • Tired Dresses (1925-1929)
  • Tin (1929)
  • Selections from ­Mannequins (1934)
  • Mannequins (1930-1931)
  • Drinking Songs (1930-1932)
  • Shoddy Ballads (1931-1933)
  • Afterword to Mannequins
  • "Marching Soldiers and Blooming Acacias": Prose
  • Selections from Acacias Bloom: Montage (1935/36)
  • Flower Shops with Azaleas (1933)
  • Acacias Bloom (1932)
  • The Building of the Train Station (1931)
  • From Lviv to New York: ­Letters (1924-1940)
  • "Distilling the Figure of Thought": Reviews and ­Polemics around ­Vogel's Work
  • Reviews of Day Figures (1930) and Mannequins (1934)
  • Ber Shnaper, "Cards on the Table: On Poetry, the Market, and Stereotypes (A Few Remarks on the New Poetry Collection)" (1930)
  • Itsik Shvarts, "Modernist Poetry (On Debora Vogel's Day Figures: Poems. Lviv: Tsushtayer, 1930)"
  • Ber Shnaper, "The Lyric of Cool Stasis" (1935)
  • Joshue Rapoport, "The Apotheosis of Monotony" (1935)
  • J. A. Weisman, "Debora Vogel and Her Monotony" (1935)
  • Hirsh Segal, "Debora Vogel's New Poetry Collection Mannequins" (Warsaw-Lviv: Tsushtayer, 1934)
  • Reviews of Acacias Bloom
  • Discussions of the ­Yiddish Edition of ­Akatsyes blien (1935)
  • B. Alquit, "Modern Prose" (1935)
  • Debora Vogel, "A Response to B. Alquit's review of Acacias" (1936)
  • B. Alquit, "A Response to Debora Vogel's Letter" (1936)
  • Joshue Rapoport, "Like a Squirrel on a Wheel" (1936)
  • Debora Vogel, "A Couple of Remarks on My Book Akatsyes Blien" (1937)
  • Reviews of the Polish ­Edition of Akacje kwitną
  • Zofia Nalkowska, "Acacias Bloom" (1936)
  • Marian Promiński, "Acacias Bloom" (1936)
  • Emil Breiter, "Debora Vogel-Acacias Bloom: Montages" (1936)
  • Bruno Schulz, "Acacias Bloom" (1936)

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