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Blooming spaces : the collected poetry, prose, critical writing, and letters of Debora Vogel /

"Debora Vogel (1900-1942) wrote in Yiddish unlike anyone else. Yiddish, her fourth language after Polish, Hebrew, and German, became the central vehicle for her modernist experiments in poetry and prose. This ground-breaking collection presents the work of a strikingly original yet overlooked a...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Fogel, Devorah (Autor)
Otros Autores: Lyubas, Anastasiya, 1989- (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Yiddish
Publicado: Boston : Academic Studies Press, 2020.
Colección:Jews of Poland
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Fogel, Devorah,  |e author. 
240 1 0 |a Works.  |k Selections.  |l English 
245 1 0 |a Blooming spaces :  |b the collected poetry, prose, critical writing, and letters of Debora Vogel /  |c [Debora Vogel] ; translated, edited, and with an introduction by Anastasiya Lyubas. 
264 1 |a Boston :  |b Academic Studies Press,  |c 2020. 
264 4 |c ©2020 
300 |a 1 online resource. 
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490 0 |a Jews of Poland 
504 |a Includes bibliographical references and index. 
520 |a "Debora Vogel (1900-1942) wrote in Yiddish unlike anyone else. Yiddish, her fourth language after Polish, Hebrew, and German, became the central vehicle for her modernist experiments in poetry and prose. This ground-breaking collection presents the work of a strikingly original yet overlooked author, art critic and intellectual, and resituates Vogel as an important figure in the constellation of European modernity. Vogel's astute observations on art, literature, and psychology in her essays, her bold prose experiments inspired by photography and film, and Cubist poetry that both challenges and captivates invite the reader on a journey of discovery-into the microcosm of the talented thinker marked by tragic fate and the macrocosm of Jewish history and Poland's turbulent 20th century"--  |c Provided by publisher. 
588 |a Description based on online resource; title from digital title page (viewed on November 02, 2020). 
505 0 |a Intro -- Contents -- Acknowledgements -- Debora Vogel's Blooming Spaces: An Introduction -- The Transformation of Form: Essayistic Art -- Essays on Literature and Poetics -- White Words in Poetry (1931) -- The First Yiddish Poets (1936) -- Stasis, Dynamism, and Topicality in Art (1936) -- The Romance of Dialectics (1935) -- Montage as a Literary Genre (1937) -- Literary Montage: An Introduction (1938) -- Essays on Art, Artists, and the Applied Arts -- Theme and Form in Chagall's Art: An Aesthetic Critique (1929/1930) -- The Genealogy of Photomontage and its Possibilities (1934) 
505 8 |a On Abstract Art (1934) -- Henryk Streng, a Constructivist Painter (1937) -- The Dwelling in Its Psychic and Social Functions (1932) -- The Legend of Contemporaneity in Children's Literature: Fragments (1934) -- Essays on Socio-Critical Issues -- Courage in Solitude (1930) -- Exoticized People (1934) -- Lviv Jewry: A Précis for a Monograph about the Jewish Quarter in Lviv (1935/1937) -- A Few Remarks on the Contemporary Intellectual Elite (1936) -- "An Attempt at a New Style": Poetry -- Selections from Day Figures (1930) -- Preface to the Day Figures Collection1 -- Rectangles (1924) 
505 8 |a Houses and Streets (1926) -- Tired Dresses (1925-1929) -- Tin (1929) -- Selections from ­Mannequins (1934) -- Mannequins (1930-1931) -- Drinking Songs (1930-1932) -- Shoddy Ballads (1931-1933) -- Afterword to Mannequins -- "Marching Soldiers and Blooming Acacias": Prose -- Selections from Acacias Bloom: Montage (1935/36) -- Flower Shops with Azaleas (1933) -- Acacias Bloom (1932) -- The Building of the Train Station (1931) -- From Lviv to New York: ­Letters (1924-1940) -- "Distilling the Figure of Thought": Reviews and ­Polemics around ­Vogel's Work 
505 8 |a Reviews of Day Figures (1930) and Mannequins (1934) -- Ber Shnaper, "Cards on the Table: On Poetry, the Market, and Stereotypes (A Few Remarks on the New Poetry Collection)" (1930) -- Itsik Shvarts, "Modernist Poetry (On Debora Vogel's Day Figures: Poems. Lviv: Tsushtayer, 1930)" -- Ber Shnaper, "The Lyric of Cool Stasis" (1935) -- Joshue Rapoport, "The Apotheosis of Monotony" (1935) -- J. A. Weisman, "Debora Vogel and Her Monotony" (1935) -- Hirsh Segal, "Debora Vogel's New Poetry Collection Mannequins" (Warsaw-Lviv: Tsushtayer, 1934) -- Reviews of Acacias Bloom 
505 8 |a Discussions of the ­Yiddish Edition of ­Akatsyes blien (1935) -- B. Alquit, "Modern Prose" (1935) -- Debora Vogel, "A Response to B. Alquit's review of Acacias" (1936) -- B. Alquit, "A Response to Debora Vogel's Letter" (1936) -- Joshue Rapoport, "Like a Squirrel on a Wheel" (1936) -- Debora Vogel, "A Couple of Remarks on My Book Akatsyes Blien" (1937) -- Reviews of the Polish ­Edition of Akacje kwitną -- Zofia Nalkowska, "Acacias Bloom" (1936) -- Marian Promiński, "Acacias Bloom" (1936) -- Emil Breiter, "Debora Vogel-Acacias Bloom: Montages" (1936) -- Bruno Schulz, "Acacias Bloom" (1936) 
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700 1 |a Lyubas, Anastasiya,  |d 1989-  |e editor. 
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