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JSTOR_on1156664556 |
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|a (OCoLC)1156664556
|z (OCoLC)1175624276
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|a 22573/ctv135rfqs
|b JSTOR
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|a PN1993.5.A1
|b U88 2020
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|a PER
|x 004010
|2 bisacsh
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|a 791.4309
|2 23
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|a UAMI
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|a Utterson, Andrew,
|e author.
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|a Persistent images :
|b encountering film history in contemporary cinema /
|c Andrew Utterson.
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|a Edinburgh :
|b Edinburgh University Press Ltd,
|c [2020]
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|a 1 online resource (ix, 154 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Includes bibliographical references and index.
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|a Channelling a focus on the history of cinema into the present and beyond, Persistent Images: Encountering Film History in Contemporary Cinema explores the continuing resonance of the memory of cinema as revealed in the technological and aesthetic expressions of a range of experimental practices.
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|a Online resource; title from digital title page (viewed on July 13, 2020).
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|a Intro -- List of Figures -- Acknowledgements -- Introduction -- 1 Media Archaeology and the Memory of a Medium: Dawson City: Frozen Time -- 2 A Drone's-Eye View of History: Francofonia -- 3 The Movie Theatre as Haunted Space: Shirin and 70×70 -- 4 Recalling the Past Lives of Cinema: Uncle Boonmee Who Can Recall His Past Lives -- 5 3D Images at the Edge of History: Goodbye to Language and The Three Disasters -- 6 Voyaging in Deep Time: Voyage of Time: The IMAX Experience -- Notes -- Bibliography -- Index
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Motion pictures
|x History.
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|a Cinéma
|x Histoire.
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|a PERFORMING ARTS
|x Film & Video
|x Direction & Production.
|2 bisacsh
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|a Motion pictures
|2 fast
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|a History
|2 fast
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|u https://jstor.uam.elogim.com/stable/10.3366/j.ctv136c4tg
|z Texto completo
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938 |
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|a Askews and Holts Library Services
|b ASKH
|n AH38032729
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938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL6215614
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938 |
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|a EBSCOhost
|b EBSC
|n 2491283
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994 |
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|a 92
|b IZTAP
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