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Odysseys of recognition : performing intersubjectivity in Homer, Aristotle, Shakespeare, Goethe, and Kleist /
Literary recognition is a technical term for a climactic plot device. Odysseys of Recognition claims that interpersonal recognition is constituted by performance, and brings performance theory into dialogue with poetics, politics, and philosophy. By observing Odysseus figures from Homer to Kleist, E...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Lewisburg, Pennsylvania :
Bucknell University Press,
[2019]
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| Colección: | New studies in the age of Goethe.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction: Performing recognition
- Part I. Marking the limits of recognition : between Aristotle and the Odyssey. "Just as the name itself signifies" : under the sign of nostalgia ; "Recognition is a change" : performance in motion ; "From ignorance to knowledge" : Penelope's poetological epistemology ; "Into friendship or enmity" : an ethics of authentic deception ; "For those bound for good or bad fortune" : casualties of recognition
- Part II. Outing interiority : modern recognitions. Self-knowledge between Plato and Shakespeare : Alcibiades I and Troilus and Cressida ; Metamorphoses of recognition : Goethe's "fortunate event" ; Epistemologies of recognition : Goethe's Iphigenie auf Tauris and the spectacle of catharsis ; Politics of recognition : friends, enemies, and Goethe's Iphigenie ; The fate of recognition : Kleist's Penthesilea
- Concluding reflections : signifying silence in Blumenberg and Kafka.