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JSTOR_on1155974634 |
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|a 792.022
|2 23
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|a UAMI
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|a Spencer, Catherine,
|d 1985-
|e author.
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|a Beyond the happening :
|b performance art and the politics of communication /
|c Catherine Spencer.
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|a Manchester :
|b Manchester University Press,
|c [2020]
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|c ©2020
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|a 1 online resource
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|a text
|b txt
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|a computer
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|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Rethinking art's histories
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|a Includes bibliographical references and index.
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|a Online resource; title from PDF title page (EBSCO, viewed June 3, 2020).
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|a The Happenings that burst on to the late 1950s cultural scene were rapidly declared passé and even 'dead', but this book reveals how an international network of artists continued to develop their premises into the late 1960s and 1970s, transforming the form into an interdisciplinary vehicle for studying interpersonal relations.
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|t Introduction: communication studies --
|t Allan Kaprow's lesson plans --
|t Marta Minujìn's sociability experiments --
|t Carolee Schneemann's group work --
|t Lea Lublin's exercises in denaturalisation --
|t Conclusion: Breaching experiments and social bodies.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Happenings (Art)
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|a Performance art.
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|a Happening.
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|a happenings.
|2 aat
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|a ART
|x American
|x General.
|2 bisacsh
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|a Performance art
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|i Print version:
|z 152614445X
|z 9781526144454
|w (OCoLC)1124585916
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830 |
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|a Rethinking art's histories.
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856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv125jt05
|z Texto completo
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938 |
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|a Askews and Holts Library Services
|b ASKH
|n AH36860513
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|a Askews and Holts Library Services
|b ASKH
|n AH36860512
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938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL6212529
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|a EBSCOhost
|b EBSC
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