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The fact of resonance : modernist acoustics and narrative form /

The Fact of Resonance returns to the colonial and technological contexts in which theories of the novel developed, seeking in sound an alternative premise for theorizing modernist narrative form. The book shows how the experience of reading is undergirded by the sonic.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Napolin, Julie Beth (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Fordham University Press, 2020.
Colección:Idiom (Fordham University Press)
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Napolin, Julie Beth,  |e author. 
245 1 4 |a The fact of resonance :  |b modernist acoustics and narrative form /  |c Julie Beth Napolin. 
264 1 |a New York :  |b Fordham University Press,  |c 2020. 
264 4 |c ©2020 
300 |a 1 online resource 
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490 1 |a Idiom : inventing writing theory 
505 0 |a Cover -- Title Page -- Copyright -- Dedication -- Contents -- Note on Abbreviations -- Overture: The Sound of a Novel -- 1 Voice at the Threshold of the Audible: Free Indirect Discourse and the Colonial Space of Reading -- Coda: Chantal Akerman and Lip Sync as Postcolonial Strategy -- 2 The Echo of the Object: On the Pain of Self-Hearing in The Nigger of the "Narcissus" and "The Fact of Blackness" -- Coda: Literary History as Miscegenating Sound: The Sound and the Fury -- Intersonority: Unclaimed Voices Circum-1900, or Sound and Sourcelessness in The Souls of Black Folk 
505 8 |a 3 A Sinister Resonance: On the Extraction of Sound and Language in Heart of Darkness -- Reprise: Reverberation, Circumambience, and Form-Seeking Sound (Absalom, Absalom!) -- Acknowledgments -- Notes -- Bibliography -- Index 
520 |a The Fact of Resonance returns to the colonial and technological contexts in which theories of the novel developed, seeking in sound an alternative premise for theorizing modernist narrative form. The book shows how the experience of reading is undergirded by the sonic. 
588 0 |a Online resource; title from digital title page (viewed on July 27, 2020). 
504 |a Includes bibliographical references (pages 309-330) and index. 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Evidence Based Acquisitions 
650 0 |a Fiction  |x History and criticism. 
650 0 |a Oral interpretation. 
650 0 |a Critical theory. 
650 6 |a Roman  |x Histoire et critique. 
650 6 |a Lecture publique (Littérature) 
650 6 |a Théorie critique. 
650 7 |a critical theories (dialectical critiques)  |2 aat 
650 7 |a critical theory (sociological concept)  |2 aat 
650 7 |a LITERARY CRITICISM  |x Modern  |x 20th Century .  |2 bisacsh 
650 7 |a Critical theory  |2 fast 
650 7 |a Fiction  |2 fast 
650 7 |a Oral interpretation  |2 fast 
653 |a Colonialism. 
653 |a Film and Media. 
653 |a Joseph Conrad. 
653 |a Literary Theory. 
653 |a Modernism. 
653 |a Narratology. 
653 |a Race. 
653 |a Sound. 
653 |a W.E.B. Du Bois. 
653 |a William Faulkner. 
655 7 |a Criticism, interpretation, etc.  |2 fast 
776 0 8 |i Print version:  |a Napolin, Julie Beth.  |t Fact of Resonance : Modernist Acoustics and Narrative Form.  |d New York : Fordham University Press, ©2020 
830 0 |a Idiom (Fordham University Press) 
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